A month afterwards, on a bright spring morning, Maurice and Lily were married. It was a great occasion for Brayfield. The church was elaborately decorated by the many young ladies who had secretly longed to be the brides of the interesting doctor. Crowds assembled within and without the building. Miss Bigelow rose from her fourteenth death-bed in a purple satin gown and a bonnet prodigious with feathers and testified to the possibility of modern resurrection in a front pew. Flowers, rice, wedding marches filled the air. But people remarked that the bridegroom looked like a man who went in fear. Even when he was on the doorstep of the church in the throng of curious sightseers he moved almost as one whom a dream attends, who sees the pale figures, who hears the faint voices that inhabit and make musical a vision of the night. The bride too, had no radiant air of a young girl fulfilling her girlish destiny and giving herself up to a protector, to one stronger, more able to fight the world than a woman who loves and fears. Her face, too, was pale and grave, even--some thought--a little stern. As she passed up the church she glanced at no one, smiled at no friend. Her eyes were set steadfastly towards the altar where Maurice waited. And when, after the ceremony, she came down the church to the sound of music her eyes were fixed on her husband. She took no heed of any one else, for her hand pressed upon his arm, felt that he was trembling. And her ears seemed to hear through all the jubilant music, through all the murmur of the gazing crowd, a cry, far away, yet more distinct than any sound of earth, thin, piercing, full of appeal to her--the spirit-cry of the child. PART II. THE LIVING CHILD. PART II. THE LIVING CHILD.