Mark's energy and enthusiasm were growing. The fury of the papers fed
him. The cries of pious fear emboldened his dogged and dreary talent.
His genius grew darker as its darkness became recognised.
This third book of his promised to be more powerful, more deadly, than
either of its forerunners. He did not speak much of it to Catherine. But
now and then, carried away by excitement and by the need of sympathy, he
dropped a hint of what he was doing. She listened attentively but said
little. Mark noticed her lack of responsiveness, and one night he said
rather bitterly,
"You no longer care for your husband's achievements, Catherine."
He did not call her Kitty.
"I fear them, Mark," Catherine replied.
"Fear them! Why?"
"They are doing great harm in the world."
Mark uttered an impatient exclamation. As a man he was kind and gentle,
but as an artist he was wilful and intolerant. Soon after this he wrote
to Berrand and invited him to stay. Berrand came. This time Catherine
shuddered at his coming. She began to look upon him as her husband's
evil genius. Berrand did not apparently notice any change in her, for he
treated her as usual, and spoke much to her of Mark. And Catherine was
too reserved to express the feelings which tortured her to a comparative
stranger. For this reason Berrand did not understand the terrible
conflict that was raging within her as "William Foster's" new work grew,
and he often spoke to her about the book, and described, with
mischievous intellectual delight, its terror, its immorality and its
pain. Catherine listened with apparent calm. She was waiting for that
interruption from heaven. She was wondering why it did not come.
One night in summer it chanced that she and Berrand spoke of Fate.
Catherine, dominated by her fixed idea that God would intervene in some
strange and abrupt way to interrupt the activities of Mark, spoke of
Fate as something inevitably ordained, certain as the rising of the sun
or the dropping down of the darkness. Berrand laughed.
"There is no Fate," he said. "There is man, there is woman. Man and
woman make circumstance. We fashion our own lives and the lives of
others."
"And our deaths?" said Catherine.
"We die when we've done enough, when we've done our best or worst, when
we've pushed our energy as far as it will go--that is, if we die what is
called a natural death. But of course now and then some other human
being chooses to think for us, and to think we have lived long enough or
too long. And then----"
He paused with a smile.
"Then----?" said Catherine, leaning slightly forward.
"Then that human being may cut our thread prematurely, and down we go to
death."
Catherine drew in her breath sharply.
"But that again," continued Berrand. "Is man--or woman--not the fantasy
you call Fate?"
"Perhaps Fate can take possession of a man or a woman," Catherine said
slowly and thoughtfully, "govern them, act through them."
Public-domain text, read in full here on John Shaqi.
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