Tonio, Son of the Sierras: A Story of the Apache WarKing, Charles
General
Tonio, Son of the Sierras: A Story of the Apache War
King, Charles
Apache Indians -- Wars, 1872-1873 -- Fiction; Soldiers -- West (U.S.) -- Fiction; Western stories
It was Keler Beler's "Am Schoenen Rhein" they were playing at the
moment, with its sweet, weird, luring, mournful, warning Lorelei
_motif_ dominating in the waltz measure, and, with parted lips and
clinging to her father's side, Lilian stood close to the window and
looked and listened, saying not one word. There were but three couples
dancing at the moment. There might as well have been but one for,
within the hall and without, the eyes of all seemed fastened on that.
Some strange caprice had prompted Evelyn Darrah to wear black that
night--a grenadine, with cobweb lace and glinting spangles and sweeping
train, the bodice cut low and displaying her shapely arms and neck and
shoulders, enhancing the grace of her tall and slender form. Her dark
hair was coiled in masses, yet here and there a curl or tendril fell
upon the soft, polished skin, or floated about cheek and temple. Her
eyelids, heavily lashed, veiled her downcast eyes. Her coral lips were
slightly parted. Her almost queenly head was bowed as though to incline
that little ear to catch the words he was eagerly pouring into it. Not
a vestige of a smile was on either face, each was dark, sombre,
beautiful, absorbed. His handsome head was bowed until the curling
mustache swept her rounded, flushing cheek. In exquisite rhythm and
harmony the two tall, graceful forms swayed in unison with the
exquisite love music, every step, every motion perfectly attuned. It
seemed as though no guiding were necessary. Slowly gliding, turning,
reversing, he in his faultless uniform, she in her sweeping, diaphanous
sable, seemed, without effort or the faintest exertion, fairly floating
upon air. No wonder they sat or stood and gazed--these elders along the
bordering benches--these others among the dancers--these few, wordless,
at the windows. Then, with the Lorelei melody lingering to the last,
the sweet, sad music died away and the waltz was ended. People began to
move toward the doorway. "They're going for their bite and sup," said
Mrs. Crook. "See, there go the bandsmen. Shall--_we_?"
"I think not, if you don't mind," said Mrs. Archer with anxious glance
at the other window, where Lilian still stood, looking straight at the
doorway through which that couple had led and so many now were
following. She had neither spoken nor moved, nor had he, her father.
His back was toward them, but from the very pose of his head the wife
well knew his eyes were fixed upon the face of his beloved child, with
who can say what depth of sorrow, sympathy, yearning for her--with what
passion of wrath and resentment for him. "Come," said Mrs. Crook
briefly, for she, too, saw. Then Archer gently laid his hand upon the
slender fingers that seemed clinching his arm, and with sudden little
gasp or sob, and shiver, Lilian whirled upon him, her eyes big and dry
and glittering. "Oh! wasn't it--didn't they dance--beautifully?" she
cried, as he ground his teeth and turned to lead her away.
Public-domain text, read in full here on John Shaqi.
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