Lady Grove, you know, is a very beautiful house indeed, a still and gracious place, whose age-long seclusion was only effectively broken with the toot of the coming of the motor-car. An old Catholic family had died out in it, century by century, and was now altogether dead. Portions of the fabric are thirteenth century, and its last architectural revision was Tudor; within, it is for the most part dark and chilly, save for two or three favoured rooms and its tall-windowed, oak-galleried hall. Its terrace is its noblest feature; a very wide, broad lawn it is, bordered by a low stone battlement, and there is a great cedar in one corner under whose level branches one looks out across the blue distances of the Weald, blue distances that are made extraordinarily Italian in quality by virtue of the dark masses of that single tree. It is a very high terrace; southward one looks down upon the tops of wayfaring trees and spruces, and westward on a steep slope of beechwood, through which the road comes. One turns back to the still old house, and sees a grey and lichenous façade with a very finely arched entrance. It was warmed by the afternoon light and touched with the colour of a few neglected roses and a pyracanthus. It seemed to me that the most modern owner conceivable in this serene fine place was some bearded scholarly man in a black cassock, gentle-voiced and white-handed, or some very soft-robed, grey gentlewoman. And there was my uncle holding his goggles in a sealskin glove, wiping the glass with a pocket-handkerchief, and asking my aunt if Lady Grove wasn’t a “Bit of all Right.” My aunt made him no answer. “The man who built this,” I speculated, “wore armour and carried a sword.” “There’s some of it inside still,” said my uncle. We went inside. An old woman with very white hair was in charge of the place and cringed rather obviously to the new master. She evidently found him a very strange and frightful apparition indeed, and was dreadfully afraid of him. But if the surviving present bowed down to us, the past did not. We stood up to the dark, long portraits of the extinguished race—one was a Holbein—and looked them in their sidelong eyes. They looked back at us. We all, I know, felt the enigmatical quality in them. Even my uncle was momentarily embarrassed, I think, by that invincibly self-complacent expression. It was just as though, after all, he had _not_ bought them up and replaced them altogether; as though that, secretly, they knew better and could smile at him.