My uncle turned his goggles to her. “Ah! _this_ time it is home, Susan.... We got there.” VII It seems to me now but a step from the buying of Lady Grove to the beginning of Crest Hill, from the days when the former was a stupendous achievement to the days when it was too small and dark and inconvenient altogether for a great financier’s use. For me that was a period of increasing detachment from our business and the great world of London; I saw it more and more in broken glimpses, and sometimes I was working in my little pavilion above Lady Grove for a fortnight together; even when I came up it was often solely for a meeting of the aeronautical society or for one of the learned societies or to consult literature or employ searchers or some such special business. For my uncle it was a period of stupendous inflation. Each time I met him I found him more confident, more comprehensive, more consciously a factor in great affairs. Soon he was no longer an associate of merely business men; he was big enough for the attentions of greater powers. I grew used to discovering some item of personal news about him in my evening paper, or to the sight of a full-page portrait of him in a sixpenny magazine. Usually the news was of some munificent act, some romantic piece of buying or giving or some fresh rumour of reconstruction. He saved, you will remember, the Parbury Reynolds for the country. Or at times, it would be an interview or my uncle’s contribution to some symposium on the “Secret of Success,” or such-like topic. Or wonderful tales of his power of work, of his wonderful organisation to get things done, of his instant decisions and remarkable power of judging his fellow-men. They repeated his great _mot:_ “Eight hour working day—I want eighty hours!” He became modestly but resolutely “public.” They cartooned him in _Vanity Fair_. One year my aunt, looking indeed a very gracious, slender lady, faced the portrait of the King in the great room at Burlington House, and the next year saw a medallion of my uncle by Ewart, looking out upon the world, proud and imperial, but on the whole a trifle too prominently convex, from the walls of the New Gallery.