I put these things down because they puzzle me. I think I was in love with Beatrice, as being in love is usually understood; but it was quite a different state altogether from my passionate hunger for Marion, or my keen, sensuous desire for and pleasure in Effie. These were selfish, sincere things, fundamental and instinctive, as sincere as the leap of a tiger. But until matters drew to a crisis with Beatrice, there was an immense imaginative insurgence of a quite different quality. I am setting down here very gravely, and perhaps absurdly, what are no doubt elementary commonplaces for innumerable people. This love that grew up between Beatrice and myself was, I think—I put it quite tentatively and rather curiously—romantic love. That unfortunate and truncated affair of my uncle and the Scrymgeour lady was really of the same stuff, if a little different in quality. I have to admit that. The factor of audience was of primary importance in either else. Its effect upon me was to make me in many respects adolescent again. It made me keener upon the point of honour, and anxious and eager to do high and splendid things, and in particular, brave things. So far it ennobled and upheld me. But it did also push me towards vulgar and showy things. At bottom it was disingenuous; it gave my life the quality of stage scenery, with one side to the audience, another side that wasn’t meant to show, and an economy of substance. It certainly robbed my work of high patience and quality. I cut down the toil of research in my eagerness and her eagerness for fine flourishes in the air, flights that would tell. I shirked the longer road. And it robbed me, too, of any fine perception of absurdity. Yet that was not everything in our relationship. The elemental thing was there also. It came in very suddenly. It was one day in the summer, though I do not now recall without reference to my experimental memoranda whether it was in July or August. I was working with a new and more bird-like aeroplane with wing curvatures studied from Lilienthal, Pilcher and Phillips, that I thought would give a different rhythm for the pitching oscillations than anything I’d had before. I was soaring my long course from the framework on the old barrow by my sheds down to Tinker’s Corner. It is a clear stretch of downland, except for two or three thickets of box and thorn to the right of my course; one transverse trough, in which there is bush and a small rabbit warren, comes in from the east. I had started, and was very intent on the peculiar long swoop with which any new arrangement flew. Then, without any sort of notice, right ahead of me appeared Beatrice, riding towards Tinker’s Corner to waylay and talk to me. She looked round over her shoulder, saw me coming, touched her horse to a gallop, and then the brute bolted right into the path of my machine.