England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
All this mingles with the making of Lord Roberts β. I had resolved upon
that one night as I lay awake at Bedley Corner; I got it planned out
before the bandages were off my face. I conceived this second navigable
balloon in a grandiose manner. It was to be a second Lord Roberts α,
only more so; it was to be three times as big, large enough to carry
three men, and it was to be an altogether triumphant vindication of my
claims upon the air. The framework was to be hollow like a bird’s
bones, airtight, and the air pumped in or out, and the weight of fuel I
carried changed. I talked much and boasted to Cothope—whom I suspected
of scepticisms about this new type—of what it would do, and it
progressed—slowly. It progressed slowly because I was restless and
uncertain. At times I would go away to London to snatch some chance of
seeing Beatrice there, at times nothing but a day of gliding and hard
and dangerous exercise would satisfy me. And now in the newspapers, in
conversation, in everything about me, arose a new invader of my mental
states. Something was happening to the great schemes of my uncle’s
affairs; people were beginning to doubt, to question. It was the first
quiver of his tremendous insecurity, the first wobble of that gigantic
credit top he had kept spinning so long.
There were comings and goings, November and December slipped by. I had
two unsatisfactory meetings with Beatrice, meetings that had no
privacy—in which we said things of the sort that need atmosphere,
baldly and furtively. I wrote to her several times and she wrote back
notes that I would sometimes respond to altogether, sometimes condemn
as insincere evasions. “You don’t understand. I can’t just now explain.
Be patient with me. Leave things a little while to me.” She wrote.
I would talk aloud to these notes and wrangle over them in my
workroom—while the plans of Lord Roberts β waited.
“You don’t give me a chance!” I would say. “Why don’t you let me know
the secret? That’s what I’m for—to settle difficulties! to tell
difficulties to!”
And at last I could hold out no longer against these accumulating
pressures.
I took an arrogant, outrageous line that left her no loopholes; I
behaved as though we were living in a melodrama.
“You must come and talk to me,” I wrote, “or I will come and take you.
I want you—and the time runs away.”
We met in a ride in the upper plantations. It must have been early in
January, for there was snow on the ground and on the branches of the
trees. We walked to and fro for an hour or more, and from the first I
pitched the key high in romance and made understandings impossible. It
was our worst time together. I boasted like an actor, and she, I know
not why, was tired and spiritless.
Public-domain text, read in full here on John Shaqi.
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