England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
And out you come at last with the sun behind you into the eastern sea.
You speed up and tear the oily water louder and faster, siroo,
siroo-swish-siroo, and the hills of Kent—over which I once fled from
the Christian teachings of Nicodemus Frapp—fall away on the right hand
and Essex on the left. They fall away and vanish into blue haze, and
the tall slow ships behind the tugs, scarce moving ships and wallowing
sturdy tugs, are all wrought of wet gold as one goes frothing by. They
stand out, bound on strange missions of life and death, to the killing
of men in unfamiliar lands. And now behind us is blue mystery and the
phantom flash of unseen lights, and presently even these are gone, and
I and my destroyer tear out to the unknown across a great grey space.
We tear into the great spaces of the future and the turbines fall to
talking in unfamiliar tongues. Out to the open we go, to windy freedom
and trackless ways. Light after light goes down. England and the
Kingdom, Britain and the Empire, the old prides and the old devotions,
glide abeam, astern, sink down upon the horizon, pass—pass. The river
passes—London passes, England passes...
III
This is the note I have tried to emphasise, the note that sounds clear
in my mind when I think of anything beyond the purely personal aspects
of my story.
It is a note of crumbling and confusion, of change and seemingly
aimless swelling, of a bubbling up and medley of futile loves and
sorrows. But through the confusion sounds another note. Through the
confusion something drives, something that is at once human achievement
and the most inhuman of all existing things. Something comes out of
it.... How can I express the values of a thing at once so essential and
so immaterial. It is something that calls upon such men as I with an
irresistible appeal.
I have figured it in my last section by the symbol of my destroyer,
stark and swift, irrelevant to most human interests. Sometimes I call
this reality Science, sometimes I call it Truth. But it is something we
draw by pain and effort ont of the heart of life, that we disentangle
and make clear. Other men serve it, I know, in art, in literature, in
social invention, and see it in a thousand different figures, under a
hundred names. I see it always as austerity, as beauty. This thing we
make clear is the heart of life. It is the one enduring thing. Men and
nations, epochs and civilisation pass each making its contribution I do
not know what it is, this something, except that it is supreme. It is,
a something, a quality, an element, one may find now in colours, now in
norms, now in sounds, now in thoughts. It emerges from life with each
year one lives and feels, and generation by generation and age by age,
but the how and why of it are all beyond the compass of my mind....
Yet the full sense of it was with me all that night as I drove, lonely
above the rush and murmur of my engines, out upon the weltering circle
of the sea.
Public-domain text, read in full here on John Shaqi.
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