England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
It was really a good piece of social comparative anatomy I did that
day; all these museums and libraries that are dotted over London
between Piccadilly and West Kensington, and indeed the museum and
library movement throughout the world, sprang from the elegant leisure
of the gentlemen of taste. Theirs were the first libraries, the first
houses of culture; by my rat-like raids into the Bladesover saloon I
became, as it were, the last dwindled representative of such a man of
letters as Swift. But now these things have escaped out of the Great
House altogether, and taken on a strange independent life of their own.
It is this idea of escaping parts from the seventeenth century system
of Bladesover, of proliferating and overgrowing elements from the
Estates, that to this day seems to me the best explanation, not simply
of London, but of all England. England is a country of great Renascence
landed gentlefolk who have been unconsciously outgrown and overgrown.
The proper shops for Bladesover custom were still to be found in Regent
Street and Bond Street in my early London days in those days they had
been but lightly touched by the American’s profaning hand—and in
Piccadilly. I found the doctor’s house of the country village or
country town up and down Harley Street, multiplied but not otherwise
different, and the family solicitor (by the hundred) further eastward
in the abandoned houses of a previous generation of gentlepeople, and
down in Westminster, behind Palladian fronts, the public offices
sheltered in large Bladesoverish rooms and looked out on St. James’s
Park. The Parliament Houses of lords and gentlemen, the parliament
house that was horrified when merchants and brewers came thrusting into
it a hundred years ago, stood out upon its terrace gathering the whole
system together into a head.
Public-domain text, read in full here on John Shaqi.
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