England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
He brought out, sharply cut and certain, the immense effect of
purposelessness in London that I was already indistinctly feeling. We
found ourselves at last returning through Highgate Cemetery and
Waterlow Park—and Ewart was talking.
“Look at it there,” he said, stopping and pointing to the great vale of
London spreading wide and far. “It’s like a sea—and we swim in it. And
at last down we go, and then up we come—washed up here.” He swung his
arms to the long slopes about us, tombs and headstones in long
perspectives, in limitless rows.
“We’re young, Ponderevo, but sooner or later our whitened memories will
wash up on one of these beaches, on some such beach as this. George
Ponderevo, F.R.S., Sidney Ewart, R.I.P. Look at the rows of ’em!”
He paused. “Do you see that hand? The hand, I mean, pointing upward, on
the top of a blunted obelisk. Yes. Well, that’s what I do for a
living—when I’m not thinking, or drinking, or prowling, or making love,
or pretending I’m trying to be a sculptor without either the money or
the morals for a model. See? And I do those hearts afire and those
pensive angel guardians with the palm of peace. Damned well I do ’em
and damned cheap! I’m a sweated victim, Ponderevo...”
That was the way of it, anyhow. I drank deep of talk that day; we went
into theology, into philosophy; I had my first glimpse of socialism. I
felt as though I had been silent in a silence since I and he had
parted. At the thought of socialism Ewart’s moods changed for a time to
a sort of energy. “After all, all this confounded vagueness _might_ be
altered. If you could get men to work together...”
It was a good talk that rambled through all the universe. I thought I
was giving my mind refreshment, but indeed it was dissipation. All
sorts of ideas, even now, carry me back as it were to a fountain-head,
to Waterlow Park and my resuscitated Ewart. There stretches away south
of us long garden slopes and white gravestones and the wide expanse of
London, and somewhere in the picture is a red old wall, sun-warmed, and
a great blaze of Michaelmas daisies set off with late golden sunflowers
and a drift of mottled, blood-red, fallen leaves. It was with me that
day as though I had lifted my head suddenly out of dull and immediate
things and looked at life altogether.... But it played the very devil
with the copying up of my arrears of notes to which I had vowed the
latter half of that day.
Public-domain text, read in full here on John Shaqi.
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