England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
“These socialists have no sense of proportion,” he said. “What can you
expect of them?”
IV
Ewart, as the embodiment of talk, was certainly a leading factor in my
conspicuous failure to go on studying. Social theory in its first crude
form of Democratic Socialism gripped my intelligence more and more
powerfully. I argued in the laboratory with the man who shared my bench
until we quarreled and did not speak and also I fell in love.
The ferment of sex had been creeping into my being like a slowly
advancing tide through all my Wimblehurst days, the stimulus of London
was like the rising of a wind out of the sea that brings the waves in
fast and high. Ewart had his share in that. More and more acutely and
unmistakably did my perception of beauty, form and sound, my desire for
adventure, my desire for intercourse, converge on this central and
commanding business of the individual life. I had to get me a mate.
I began to fall in love faintly with girls I passed in the street, with
women who sat before me in trains, with girl fellow-students, with
ladies in passing carriages, with loiterers at the corners, with
neat-handed waitresses in shops and tea-rooms, with pictures even of
girls and women. On my rare visits to the theatre I always became
exalted, and found the actresses and even the spectators about me
mysterious, attractive, creatures of deep interest and desire. I had a
stronger and stronger sense that among these glancing, passing
multitudes there was somewhere one who was for me. And in spite of
every antagonistic force in the world, there was something in my very
marrow that insisted: “Stop! Look at this one! Think of her! Won’t she
do? This signifies—this before all things signifies! Stop! Why are you
hurrying by? This may be the predestined person—before all others.”
It is odd that I can’t remember when first I saw Marion, who became my
wife—whom I was to make wretched, who was to make me wretched, who was
to pluck that fine generalised possibility of love out of my early
manhood and make it a personal conflict. I became aware of her as one
of a number of interesting attractive figures that moved about in my
world, that glanced back at my eyes, that flitted by with a kind of
averted watchfulness. I would meet her coming through the Art Museum,
which was my short cut to the Brompton Road, or see her sitting,
reading as I thought, in one of the bays of the Education Library. But
really, as I found out afterwards, she never read. She used to come
there to eat a bun in quiet. She was a very gracefully-moving figure of
a girl then, very plainly dressed, with dark brown hair I remember, in
a knot low on her neck behind that confessed the pretty roundness of
her head and harmonised with the admirable lines of ears and cheek, the
grave serenity of mouth and brow.
Public-domain text, read in full here on John Shaqi.
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