England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
The affair was immensely serious and commanding to me. I don’t remember
that in these earlier phases I had any thought of turning back at all.
It was clear to me that she regarded me with an eye entirely more
critical than I had for her, that she didn’t like my scholarly
untidiness, my want of even the most commonplace style. “Why do you
wear collars like that?” she said, and sent me in pursuit of
gentlemanly neckwear. I remember when she invited me a little abruptly
one day to come to tea at her home on the following Sunday and meet her
father and mother and aunt, that I immediately doubted whether my
hitherto unsuspected best clothes would create the impression she
desired me to make on her belongings. I put off the encounter until the
Sunday after, to get myself in order. I had a morning coat made and I
bought a silk hat, and had my reward in the first glance of admiration
she ever gave me. I wonder how many of my sex are as preposterous. I
was, you see, abandoning all my beliefs, my conventions unasked. I was
forgetting myself immensely. And there was a conscious shame in it all.
Never a word—did I breathe to Ewart—to any living soul of what was
going on.
Her father and mother and aunt struck me as the dismalest of people,
and her home in Walham Green was chiefly notable for its black and
amber tapestry carpets and curtains and table-cloths, and the age and
irrelevance of its books, mostly books with faded gilt on the covers.
The windows were fortified against the intrusive eye by cheap lace
curtains and an “art pot” upon an unstable octagonal table. Several
framed Art School drawings of Marion’s, bearing official South
Kensington marks of approval, adorned the room, and there was a black
and gilt piano with a hymn-book on the top of it. There were draped
mirrors over all the mantels, and above the sideboard in the
dining-room in which we sat at tea was a portrait of her father,
villainously truthful after the manner of such works. I couldn’t see a
trace of the beauty I found in her in either parent, yet she somehow
contrived to be like them both.
These people pretended in a way that reminded me of the Three Great
Women in my mother’s room, but they had not nearly so much social
knowledge and did not do it nearly so well. Also, I remarked, they did
it with an eye on Marion. They had wanted to thank me, they said, for
the kindness to their daughter in the matter of the ‘bus fare, and so
accounted for anything unusual in their invitation. They posed as
simple gentlefolk, a little hostile to the rush and gadding-about of
London, preferring a secluded and unpretentious quiet.
When Marion got out the white table-cloth from the sideboard-drawer for
tea, a card bearing the word “APARTMENTS” fell to the floor. I picked
it up and gave it to her before I realised from her quickened colour
that I should not have seen it; that probably had been removed from the
window in honour of my coming.
Public-domain text, read in full here on John Shaqi.
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