Though self-admiration was an attractive pastime, it palled on him at
last, and he sat down and piled up the gold double ducats in two tall
columns, and speculated on the various pleasures they might procure,
and then he read over the draft on Parodi, and pictured to his mind some
more enjoyments, all of which were justly his due, “for,” as he said to
himself aloud, “I have dealt generously by that woman.”
At last he arose, and went out on the terrace. It was a bright starlit
night, one of those truly Italian nights when the planets streak the
calm sea with long lines of light, and the very air seems weary with its
burden of perfume. Of the voluptuous enervation that comes of such
an hour he neither knew nor asked to know. Stillness and calm to him
savored only of death; he wanted movement, activity, excitement, life,
in fact,--life as he had always known and always liked it. Once or twice
the suspicion had crossed his mind that he had been sent on this distant
expedition to get rid of him when something of moment was being done
elsewhere. His inordinate vanity could readily supply the reasons for
such a course. He was one of those men that in times of trouble become
at once famous. “They call us dangerous,” said he, “just as Cromwell was
dangerous, Luther was dangerous, Napoleon was dangerous. But if we are
dangerous, it is because we are driven to it. Admit the superiority that
you cannot oppose, yield to the inherent greatness that you can only
struggle against, and you will find that we are not dangerous,--we are
salutary.”
“Is it possible,” cried he, aloud, “that this has been a plot,--that
while I am here living this life of inglorious idleness the great stake
is on the table,--the game is begun, and the King's crown being
played for?” M'Caskey knew that whether royalty conquered or was
vanquished,--however the struggle ended,--there was to be a grand scene
of pillage. The nobles or the merchants--it mattered very little which
to him--were to pay for the coming convulsion. Often and often, as he
walked the streets of Naples, had he stood before a magnificent palace
or a great counting-house, and speculated on the time when it should be
his prerogative to smash in that stout door, and proclaim all within it
his own. “_Spolia di_ M'Caskey,” was the inscription that he felt would
defy the cupidity of the boldest. “I will stand on the balcony,” said
he, “and declare, with a wave of my hand, These are mine: pass on to
other pillage.”
Public-domain text, read in full here on John Shaqi.
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