Too Old for Dolls: A NovelLudovici, Anthony M. (Anthony Mario)
General
Too Old for Dolls: A Novel
Ludovici, Anthony M. (Anthony Mario)
England -- Fiction; Young women -- Fiction
Thus spoke the greatest poet of the nineteenth century, and thus all
generations of men have felt.
The warm rich colour, as of ripeness, that it gives to the youngest
cheek, the tawny tinge as of jungle fauna with which it vitalises every
dead-white urban hand, and the enchanting glamour it lends to the
plainest head and face,--these are a few of the works of the sun that
are surely a proof of its demoniacal glory. Halos, it is true, it
fashions as well, and beyond reckoning; but the white teeth that flash
from the tanned mask are scarcely those of a saint. Or has a saint
actually been known who really had white teeth of his own?
August in England, between the moist wood-clad hills and the blinding
glitter of the sea; August in a beautiful country homestead, with its
flowering garden, its cool carpet of lawn stretching to a black line of
thick hedgerow which seems to be the last barrier between earth and
ocean,--what a season it is, and what a setting for the greatest game
of youth, the game of catch as catch can, with a cheerless winter for
the losers!
The world is at her old best, and all her children are exalted and
exhilarated by the knowledge that they are at their best also. Even the
trippers are perpetually in Sabbath clothes, as a sign that they are
infected with the prevalent feeling of festivity.
Sabbath clothes without the Sabbath gloom, beauty without piety, freedom
with open shops, sunshine without duty,--these to the masses are some of
the chief joys of the summer sun in England.
In this enumeration of a few of the leading features of a sunny August
in England, however, we should not forget to mention what will appear to
some the least desirable of them all. The fact that this particular
feature is omitted by the most successful English poets of the Victorian
School, as by other sentimentalists, would not excuse us in failing to
give it at least a passing reference here; for Victorian, alas! does not
by any means signify Alexandrian in regard to the periods of English
poetry; and even if it be a sin to mention this aspect of a sunny
August, we prefer to sin rather than to resemble a Victorian poet.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account