The way thither, however, after he had left his rooms, was not so easy
to find. He remembered passing through numerous apartments, decorated
partly in mediæval style and partly according to modern ideas, but how
many he had seen of these, or in what direction he had come after
reaching a large central room into which numerous doors opened, he
could not say. He trusted to his luck, however, and from this central
apartment, which he easily reached, he entered a small room, which he
thought he remembered. The beautiful old wainscoting on the walls had
struck his artistic eye, and he now paused to examine it more
leisurely. The work must have dated from the end of the fourteenth or
the beginning of the fifteenth century, and the carving had evidently
been executed by a master's hand. Around the wall, directly under the
ceiling, ran a long inscription cut into the wood-work. Leo tried to
decipher it, but it baffled him, and he determined to devote himself to
the task when he should be less hurried; at present he would not keep
his cousin waiting for him.
He wandered through a long range of rooms. In each he found interesting
and extremely valuable relics of mediæval splendour, and many precious
works of art, upon each of which he would have gladly bestowed
attention had he had the time. One room in especial interested him
greatly: it was Herr von Heydeck's study; a large, gloomy apartment,
into which the narrow windows admitted so little light that a dim
twilight reigned in its remote corners although the sun outside was
shining brightly. Its rays could not penetrate the thick octagonal
panes of glass, set in leaden frames, which had apparently not been
cleaned for years and were hardly transparent any longer. All the walls
were covered with wide shelves filled partly with old books, partly
with boxes and bundles of papers, and partly with bottles; these
bottles, containing all sorts of snakes, lizards, and fish, preserved
in spirits, might well have inspired the uninitiated with disgust.
Close by a window, in a deep embrasure of the wall, stood Herr von
Heydeck's writing-table. It was half covered with open books,
and a microscope placed just against the window and several
magnifying-glasses bore witness to the industry of their possessor.
Public-domain text, read in full here on John Shaqi.
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