"Oh, delightful!" Hilda exclaimed. "I have thought of that lovely Eva
so often! I will go this very day to Tausens to see her. We must be
together constantly!" She spoke impulsively, but suddenly she paused.
"I forgot," she said sadly, "that Leo wishes to avoid meeting these
people. Does he know this lovely girl? He cannot wish not to see her.
But no, do not answer my question, Herr Delmar. I had no right to ask
it. If Leo had wished me to know his reasons for not wishing to meet
these people he would have told me them himself. I would rather have
you say nothing to me about it."
"I thank you, Fräulein von Heydeck. It would have been hard to refuse
any request of yours, and yet I have no right to speak of Leo's
position with regard to Fräulein Schommer's family without his express
permission. Of one thing however I can assure you: Leo can make, and
can have, no possible objection to your renewing your acquaintance with
Fräulein Schommer."
"Are you sure of this?"
"Perfectly sure; promise me that you will pay Fräulein Schommer a visit
this afternoon, and I will answer for it that Leo shall accompany you."
"You will greatly oblige me by doing so, for I could not of course seek
out the lady if our guest wished to avoid her."
As they talked, Hilda had conducted Paul into the castle and through
the rooms to the corridor, at the end of which were Leo's apartments.
"You cannot go astray now," she said. "Leo's room lies just before you.
You will find him at his easel. He would not go out for fear of missing
you. When I called him to breakfast he had begun a sketch, and was so
absorbed in his work that he never left it. I did not see it, but I am
hoping to enjoy it when it is finished."
Here Hilda left him, and Delmar went along the corridor to the last
door; he knocked twice without receiving any answer, and then opened it
and entered the room.
Leo had heard neither the knocking, the opening and shutting of the
door, nor his friend's footstep. He was standing lost in thought before
his easel, gazing at a sketch of a head, the result of his last few
hours' labour.
When he had entered his sitting-room in the early morning, refreshed by
his night's rest, and had seen the easel by the window with the canvas
upon it ready stretched, he had been irresistibly tempted to take up
his crayon and enjoy the delight of which he had been deprived for a
week. Yielding to this irrepressible desire, he had made a sketch of
the fair face that filled his dreams both sleeping and waking. It was
so like that he stood now lost in contemplation of it, quite dead to
the outer world, not hearing when Paul entered the room, not noticing
the approach of his friend, who stood behind him for some minutes in
silent admiration of the sketch upon the easel.
"Bravo, Leo! You have outdone yourself! 'Tis the most artistic sketch
you've ever made!"
Public-domain text, read in full here on John Shaqi.
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