Eva looked up at him, confused and in doubt, but he suddenly dropped
his jesting tone and continued very gravely, "You owe the interview I
request both to me and to yourself. Pray add your entreaty, Hilda, to
mine."
Hilda smiled; she knew what Paul wished to say to Eva; he had briefly
informed her on their way to the garden, and she eagerly seconded his
request, and proposed that she herself should conduct Leo, Aline, and
Herwarth through one wing of the castle, while Delmar showed Eva
through the other, and that they should then all meet in the large
hall. As she made this proposal she exchanged a glance of secret
understanding with Paul.
Eva still hesitated, but Paul would take no refusal. He offered her his
arm and led her through the garden across the courtyard and up the
grand staircase to the wing in which were Leo's apartments. On the way
he pointed out to her everything of interest in the interior decoration
and architecture of the ancient pile, calling especial attention to the
massive antique furniture of some of the rooms. At any other time all
this would have been especially interesting to Eva, but to-day she
scarcely looked at all the rare antiquities, and even at last ventured
to interrupt the flow of Delmar's antiquarian enthusiasm, saying, "You
certainly had something else to say to me, Herr Delmar, when you asked
me for this _tête-à-tête_."
"You are right, Fräulein Eva," Paul replied, hastening along the dim
corridor, at the end of which was Leo's studio. "I will no longer
excite your curiosity, since we have reached the room which I think the
most appropriate place in which to tell you what I have to say."
He opened the door of a room which Eva entered. "Have you any idea of
where we are?" Paul asked. The girl looked about her at the comfortable
arrangements of the room, and her glance suddenly fell upon the easel,
from which a face which she could not but recognize, regarded her with
a gentle smile. The tears rushed to her eyes,--she knew well where she
was, and with a burning blush she turned instantly to leave the room.
"You are unkind. I have not deserved this," she said, in a tone of soft
reproach, as she laid her hand upon the door-latch.
Delmar, however, prevented her from opening the door; he took her hand
and gently led her to the easel. "You must not, Fräulein Eva," he said
earnestly, "at such a moment as this give any consideration to mere
conventionalities. This is a turning-point in your existence. Look at
this picture. You know who has painted it, and you know that Leo's hand
never could have executed so true a presentment of yourself if your
image did not fill his heart and soul,--if you were not present at all
moments to his mental vision. Far more convincingly than in words must
this picture tell you of his entire devotion to you, and it is for this
that I have brought you here."
Public-domain text, read in full here on John Shaqi.
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