With that I turns and inspects the windows of the house I'd just passed,
knowin' it must be some kid gettin' gay with the passersby. There's no
signs of any cut-up concealed behind the lace curtains, though, and none
of the sashes was raised. If it hadn't been for the way things had been
comin' criss-cross at me, I suppose I'd wiped off my collar and gone
along, lettin' it pass as a joke; but I wa'n't feelin' very mirthful
just then. I'm ready to follow up anything in the trouble line; so I
steps into the area, drops my baggage, shins up over the side of the
front steps, and flattens myself against the off side of the vestibule
door. Then I waits.
It ain't more'n a minute before I hears the door openin' cautious, and
all I has to do is shove my foot out and throw my weight against the
knob. Somebody lets out a howl of surprise, and in another minute I'm
inside, facin' a twelve-year-old kid armed with a green tin squirt gun.
He's one of these aristocratic-lookin' youngsters, with silky light
hair, big dark eyes, and a sulky mouth. Also he's had somethin' of a
scare thrown into him by being caught so unexpected; but some of his
nerve is still left.
"You--you get out of here!" he snarls.
"Not until you've had a dose of what you handed me, sonny," says I.
"Give it up now, Reggie boy!"
"I won't!" says he. "I--I'll have you thrown out!"
"You will, eh?" says I, makin' a rush for him.
"O-o-o-oh, Aunty, Aunty!" he squeals, dashin' down the hall.
Now, say, the way I was feelin' then, I'd have gone up against a whole
fam'ly, big brothers included; so a little thing like a call for Aunty
don't stop me at all. As he turns into the room on the left I'm only a
jump behind, and all that fetches me up is when he does a dive behind an
old lady in a big leather chair. She's a wide, heavy old party, with a
dinky white cap on her white hair, and kind of a resigned, patient look
on her face. Someway, she acts like she was more or less used to
surprises like this; for she don't seem much excited.
"Why, Hadley!" she remarks. "Whatever is the matter now?"
"He--he chased me into the house!" whines Master Hadley from behind the
chair.
"Did you?" says the old girl.
"Sure," says I. "He's too blamed fresh!"
"There, there!" says she. "You mustn't speak that way of Hadley. He is
only a little boy, you know."
"Yes'm," says I.
"And he was only indulging in innocent play," she goes on. "Come,
Hadley, untie me now. Please, Hadley!"
Say, I hadn't noticed it before, but the old girl is roped solid, feet
and arms, to the chair legs, and it's clear that when nobody was goin'
by for little Hadley to shoot at he'd been usin' Aunty for a target. The
damp spots on the wall behind the chair and one or two on her dress
showed that.
"I won't, unless you'll call Maggie and have her throw him out!" growls
Hadley.
"Oh, come, Hadley, be a good boy!" coaxes Aunty.
"Sha'n't!" says Hadley. "And next time I'll shoot ink at you."
"Now, Hadley!" protests Aunty.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account