Humorous stories; New York (N.Y.) -- Fiction; Private secretaries -- Fiction; World War, 1914-1918 -- United States -- Fiction
And if you will believe me, that's about all he would say. Wasn't even
much excited over the fact that a hundred thousand dollar sugar
plantation was about to be wished on him. Oh, yes, he'd go down with Don
Pedro and take possession. Was the grave of Donna Mario there? Then he
would go, surely.
"I--I would rather like to," says Old Jonesey.
"Huh," says I. "You better stick around until tomorrow noon. I want you
to hear what I've got to feed to that bond-room bunch."
Jonesey shakes his head. No, he'd rather not. And as he shuffles back to
his old files I hears him mumblin', sort of soft and easy: "Donna Mario.
Ah, yes! Donna Mario!"
Which proves, don't it, that you can't always tell. Even when the party
has such a common name as Jones.
CHAPTER XI
AS LUCY LEE PASSED BY
Someone put on that Tales of Hoffman record, please, with a soft needle.
Thanks. Now if you'll turn out all but one bulb in the old rose-shaded
electrolier and pass the chocolate marshmallows maybe I'll try to sketch
out for you this Lucy Lee-Peyton Pratt version of the sweetest story
ever told.
We got Lucy Lee on the bounce, as it were. She really hadn't come all
the way up from Atlanta to visit Vee even if they were old
boardin'-school chums. No, she was on her way to a house party up in
Lenox and was fillin' in the time before that happened by making a duty
stay with an old maid aunt who lived on Madison Avenue. But when it
develops that Auntie is taking the buttermilk cure for dyspepsia, has
grown too deaf to enjoy the theater, and is bugs over manipulatin' the
Ouija board, Lucy Lee gets out her address book and begins callin' up
old friends.
I don't know how far down Vee was on the list but she seems to be the
first one to fall easy. When she hears how bored Lucy Lee is on Madison
Avenue she insists on her coming right out with us. So I get my orders
to round up Lucy Lee when I'm through at the office and tow her out
home. Hence this openin' scene in the taxi where I finds myself being
sized up coy and curious.
There's only one way of describin' Lucy Lee. She's a sweet young thing.
Nothing big or bouncy about her. No. One of these half-portions. But
cute and kittenish from the tip of her double A pumps to the floppy hat
brim which only half hides a dangerous pair of eyes.
"So good of you, Mr. Ballard," says she, shootin' over a shy look, "to
take all this trouble for poor little me."
"It's a gift," says I. "Comes natural. What about baggage?"
"I've sent a few things by express," says she. "Thank you so much,
Mr.--er--Do you know, I've heard such a lot about you from dear Vee that
I simply must call you Torchy."
"If it's a case of must," says I, "then go to it."
Public-domain text, read in full here on John Shaqi.
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