So from then on until dinnertime our couple had all the chance in the world. Looked like they was doin' noble, too; for every once in a while we could hear that ripply laugh of hers, or Mr. Robert's hearty chuckle--which should have been good signs that they was enjoyin' each other's comp'ny. We even had to send out word it was time to doll up for dinner. But an affair like that is like a feather balanced on your nose. Any boob is liable to open a door on you. In this case, all was lovely and serene until Marjorie gets this 'phone call. I hears her summonin' Vee panicky and sketchin' out the details. "It's Ella May Buell!" says she. "She's down at the station." Seems that Miss Buell was a boardin'-school friend who was about to cash in one of them casual blanket invitations that girls give out so reckless--you know, the Do-come-and-see-me-any-time kind. And, with her livin' down in Alabama or Georgia somewhere, maybe it looked safe at the time. But now she was on her way to the White Mountains for a summer flit, and she'd just remembered Marjorie for the first time in three years. "Goodness!" says Marjorie, whisperin' husky across the hall. "Someone ought to go right down to meet her. I can't, of course; and Ferdie's only begun to dress." "Ask Torchy," suggests Vee. And, as I'm all ready except another half hitch to my white tie, I'm elected. Three minutes more and I'm whizzin' down in the limousine to receive the Southern delegate. And say, when I pipes the fairy in the half-masted skirt and the zippy Balkan bonnet, I begins bracin' myself for what I could see comin'. One of these pouty-lipped, rich-tinted fairies, Ella May is, wearin' a baby stare and chorus-girl ear-danglers. Does she wait to be hunted up and rescued? Not her! The minute I drops out of the machine, she trips right over and gives me the hail. "Are you looking for me?" says she. "I hope you are, for I've been waiting at this wretched station for ages." "If it's Miss Buell, I am," says I. "Of course I'm Miss Buell," says she. "Help me in. Now get my bags. They're inside, Honey." "Inside what?" I gasps. "Why, the station," says she. "And give the man a quarter for me--there's a dear." Talk about speed! Leave it to the Dixie girls of this special type. I used to think our Broadway matinee fluffs was about the swiftest fascinators using the goo-goo tactics. But say, when it comes right down to quick action, some of these cotton-belt belles can throw in a high gear that makes our Gwendolyns look like they was only hittin' on odd cylinders. Ella May was a sample. We was havin' our first glimpse of each other, but in less 'n forty-five seconds by the watch she'd called me honey, dearied me twice, and patted me chummy on the arm. And we hadn't driven two blocks before she had me snuggled up in the corner like we was old friends. "Tell me, Honey," says she, "what is dear old Marjorie's hubby like?" "Ferdie!" says I. "Why, he's all right when you get to know him."