From this single example of a comparison between taboo and compulsion neurosis it is already possible to guess the relation between individual forms of the neurosis and the creations of culture, and in what respect the study of the psychology of the neurosis is important for the understanding of the development of culture. In one way the neuroses show a striking and far-reaching correspondence with the great social productions of art, religion and philosophy, while again they seem like distortions of them. We may say that hysteria is a caricature of an artistic creation, a compulsion neurosis, a caricature of a religion, and a paranoic delusion, a caricature of a philosophic system. In the last analysis this deviation goes back to the fact that the neuroses are asocial formations; they seek to accomplish by private means what arose in society through collective labour. In analysing the impulse of the neuroses one learns that motive powers of sexual origin exercise the determining influence in them, while the corresponding cultural creations rest upon social impulses and on such as have issued from the combination of egotistical and sexual components. It seems that the sexual need is not capable of uniting men in the same way as the demands of self preservation; sexual satisfaction is in the first place the private concern of the individual. Genetically the asocial nature of the neurosis springs from its original tendency to flee from a dissatisfying reality to a more pleasurable world of phantasy. This real world which neurotics shun is dominated by the society of human beings and by the institutions created by them; the estrangement from reality is at the same time a withdrawal from human companionship. CHAPTER III ANIMISM, MAGIC AND THE OMNIPOTENCE OF THOUGHT 1 It is a necessary defect of studies which seek to apply the point of view of psychoanalysis to the mental sciences that they cannot do justice to either subject. They therefore confine themselves to the rôle of incentives and make suggestions to the expert which he should take into consideration in his work. This defect will make itself felt most strongly in an essay such as this which tries to treat of the enormous sphere called animism[90]. Animism in the narrower sense is the theory of psychic concepts, and in the wider sense, of spiritual beings in general. Animatism, the animation theory of seemingly inanimate nature, is a further subdivision which also includes animatism and animism. The name animism, formerly applied to a definite philosophic system, seems to have acquired its present meaning through E. B. Tylor[91].