Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
I was much interested too by a complete toilet of Marie Antoinette's, on
which the portraits of her husband and of Henry the Fourth were painted
in several places. From the library you go into an equally rich second
drawing-room; and from thence into the dining-room. Near to both these
rooms was a green-house, in the form of a chapel; and in every apartment
windows down to the ground afforded a view of the noble park and the
river flowing through it. On a distant rising ground you look along a
very broad avenue of limes, exactly at the end of which, during a part
of the summer, the sun sets: its horizontal rays passing along the whole
length of the green-house must afford the most splendid natural
decoration, heightened by the reflection of its beams from a large
mirror at the end. The walls of the dining-room are covered with oaken
'boiserie,' with beautiful cornices and carving; the furniture is of
rose-wood, silk and velvet; and valuable pictures in antique gilded
frames adorn the walls. The proportions of the room may be called
hall-like, and the whole is regularly heated to a temperature of
fourteen degrees of Reaumur.
The somewhat remote stables and all the domestic offices, &c., are on
the left, connected with the house by an embattled wall; so that the
building extends along an uninterrupted length of a thousand feet.
The flower-gardens occupy a very considerable space. Part of them are
laid out in the usual style; that is, a long green-house at the bottom,
in front of which are several 'berceaux' and shady walks around a large
grass-plat, which is broken with beds of all forms, and dotted with rare
trees and shrubs. But here was also something new;--a deep secluded
valley of oval form, around which is a thick belt of evergreens, and
rock-plants planted impenetrably thick on artificial rockeries; a
background of lofty fir-trees and oak, with their tops waving in the
wind; and, at one end of the grass-plat, a single magnificent lime-tree
surrounded by a bench. From this point the whole of the little valley
was covered with an embroidered parterre of the prettiest forms,
although perfectly regular. The egress from this enclosure lay through a
grotto overgrown with ivy, and lined with beautiful stones and shells,
into a square rose-garden surrounded with laurel hedges, in the centre
of which is a temple, and opposite to the entrance a conservatory for
aquatic plants. The rose-beds are cut in various figures, which
intersect each other. A walk, overarched with thick beeches neatly
trimmed with the shears, winds in a sinuous line from this point to the
Chinese garden, which is likewise enclosed by high trees and walls, and
contains a number of vases, benches, fountains, and a third
green-house,--all in the genuine Chinese style. Here were beds
surrounded by circles of white, blue, and red sand, fantastic dwarf
plants, and many dozens of large China vases placed on pedestals,
thickly overgrown with trailing evergreens and exotics.
Public-domain text, read in full here on John Shaqi.
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