Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
Its stables, riding-school, ball-rooms, statue and picture galleries,
conservatories and gardens, form a little town. For three centuries this
estate has been transmitted in a direct line in this family,--even in
England a rare instance;--so that it is not to be wondered at, if, with
an income of a million of our money, an accumulation of luxury and
magnificence has been formed here, far exceeding the powers of any
private person in our country: and indeed even were money here and there
forthcoming in like profusion, yet the state of society adapted for
centuries to the providing of the materials for a luxury so refined, and
so complete in all its parts, exists not among us.
The house, properly speaking, is a regular quadrangle; and the 'bel
étage,' which is always 'de plein pied' in country-houses, forms an
unbroken suite of rooms, occupying the whole superficial extent. These
rooms are hung with valuable pictures, and richly furnished with massive
and magnificent stuffs; the ceilings and the 'embrasures' of the doors
are of white plaster with gold ornaments, or of rare carved wood,--all
equally simple and massy. In one room was a remarkable collection of
miniature portraits of the family, from the first Russell (the name of
the Dukes of Bedford) to the present Duke, in an unbroken line. Under
such circumstances, a man may be permitted to be a little proud of his
family and his noble blood.[36] These miniatures were arranged in a
very tasteful manner on crimson velvet, in a long narrow gold frame, and
set like medallions. The stoves are mostly of gilt metal, with high
marble chimney-pieces; the chandeliers of bronze, richly-gilded;
everywhere the same magnificence, yet nowhere overloaded. The library is
at the end, divided into two rooms, and opening immediately on the
delightful garden with wide glass doors.
The gardens appear to me peculiarly charming, so admirably interwoven
with the buildings and so varied that it is difficult to describe them
adequately.
Public-domain text, read in full here on John Shaqi.
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