Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
A very curious French manuscript, the subject of which is an heroic
poem, contains the name of the writer with the date 1340, (an extremely
rare occurrence,) and under it the name of the painter with the date
1346; this gives reason to conclude that the latter had spent six years
in the illuminating, which is almost all executed on a very unusual
design, in gold, blue and red in squares, like a carpet. This manuscript
is peculiarly interesting from the circumstance that the painter,
instead of enclosing the text within a border or arabesque, has
surrounded it with a representation of the trades, sports, and pastimes
of his time. A cursory glance showed me, together with many games and
occupations which we have lost, so many which are still so precisely the
same, that I was really surprised. For instance, a masked-ball;
_Kammerchen vermiethen_;[39] the _Handespiel_, or 'gioco di villano;'
the same with the feet, which we boys often used to play in winter to
warm ourselves; throwing at cocks, and cockfighting; rope-dancers and
conjurors; horse-riders and trained horses, whose feats are more
wonderful than ours; rifle-shooting at a man who ('mille pardons') turns
himself in unseemly wise to the company, like one still existing on a
gate at Lausitz; a smithy, where a horse is shoeing; a wagon, with three
large cart-horses harnessed out at length, with harness, &c. all in the
present form, even the driver's costume,--a blue slop--the very same;
and many other things which I have not time to notice,--showed that
though many things change, yet an infinite deal remains unaltered, and
perhaps, 'à tout prendre,' human life is more the same in different ages
than we generally imagine.
A Boccacio, with exquisitely beautiful miniatures, is one of the
show-pieces of the library. A copy of the Acts of the Apostles, of the
seventh century, in Greek and Latin, is shown as a great curiosity: each
line contains only one word in each language. Considering its great
antiquity, it is in very good preservation.
In the beautiful court of All Souls College--which moreover is carpeted
with the finest turf--there is a spot whence you have a most magnificent
view of spires, towers, and façades of ancient buildings, rising in
unbroken series, one behind another, without the least mixture of modern
houses. Here is another noble library. In the middle is an orrery, which
illustrates our solar system very clearly, and keeps equal course with
the sun and planets through the year.
Public-domain text, read in full here on John Shaqi.
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