Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
You know I cannot avoid the reflections which often fill me with
melancholy even on the most joyous occasions. So was it with me now, as
Lord D---- thus conjured up before me the picture of departed times;--as
he eulogized my grandfather's amiable character, described my mother's
high spirit, and what a wild child I was: 'Hélas, ils sont passés ces
jours de fête.' The amiable man has long lain mouldering in his grave;
the high-spirited young woman is old, and no longer high-spirited; and
even the wild boy is more than tamed--nay, not very far from those days
in which he will say, "I have no pleasure in them:" the mad-cap young
Englishman who played the ghost on the ice, lay before me, an old man,
tortured with gout, stretched helpless on a sofa,--the tale of the merry
pranks of his youth interrupted by sighs extorted by pain; while the
poor fool whom he so terrified as ghost has long been a ghost himself,
and the good Lord would be not a little alarmed if his visit happened to
be returned. "Oh world, world!" as Napoleon said.[42]
_February 3d:--Evening._
Lord D---- possesses a fine collection of pictures, among which are
Titian's celebrated Venus; the death of Regulus, by Salvator Rosa; a
large picture of Rubens, which has frequently been engraved; and a very
fine Guido. In the two latter indeed, a not very agreeable subject, a
lifeless head, is the principal object; in the one that of Cyrus, in the
other that of John the Baptist. But Guido's Herodias is another of those
figures instinct with the genius of poetical, divine beauty, uniting the
most lovely womanliness with the deepest tragic expression, which leave
so indelible an impression, and are so seldom found in reality. There is
a lady of your acquaintance who corresponds with this ideal, Countess
A---- of B----. She was, when I knew her,[43] the most beautiful and
richly dressed woman I ever beheld. Perfect symmetry, absolute harmony,
reigned in her person and in her mind; so that the most heterogeneous
things equally became her. Majestic as a queen, when she was 'en
representation;' distinguished by the most easy and graceful manners,
the most exquisite knowledge of the world, when doing the honours of her
own house; and by the most 'naïve,' touching kindness and sweetness in
the circle of her family;--but under every aspect rendered more
interesting and impressive by a trace of thoughtful melancholy never
wholly effaced, allied to that perfect feminine tenderness which gives
to woman the highest and most resistless charm in the eyes of men;--her
resemblance to this picture of Guido's was striking. Two very pretty
attendants of Herodias are in admirable contrast with the main figure.
They are perfect ladies-in-waiting, who have no soul for anything beyond
their court and their service; and their beauty receives from its very
unmeaningness a certain rather animal character, which we can
contemplate with an agreeable carelessness--a sort of repose to the mind
Public-domain text, read in full here on John Shaqi.
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