In a wild mountain district of Spain, a Moorish castle rises amid rocks in the distance. It is night, but the moon shines brightly in the blue heavens, and mingles her pale light with the brilliant illumination of the windows of the castle and the chapel. A road winding among the mountains is visible at many points; and at length, supported on arches of masonry, leads to the foreground. A band of robbers now glide stealthily forth from the thicket, and conceal themselves by the road-side.--You discover from their conversation that they are lying in wait for a rich prize. Their handsome young leader is distinguished by his commanding air and his splendid dress, in the style of the Italian banditti. After a short interval you see the castle-gates in the distance unclose, a drawbridge is let down, and a state-carriage drawn by six mules rolls along the road. Sometimes you lose it behind the mountains;--it approaches, growing larger and larger (an effect admirably produced by figures of various dimensions,) and at length comes on the stage at a brisk trot. A few shots are immediately fired by the robbers, the coachman is killed, and the plunder of the carriage goes forward amid noise and confusion. In the midst of the tumult the curtain falls. At the beginning of the second act you see the same scene, but it excites quite different emotions. The lights in the castle are extinguished,--the moon is veiled behind a cloud. In the dim light you imperfectly distinguish the carriage, with the doors rent from the hinges. On the box lies the murdered driver; the pallid head of one of the fallen robbers is seen above a stone trench; and the handsome captain leans dying against the trunk of a tree, while his boy Gilblas is vainly trying to check the flight of the departing spirit. This half-dead, half-living picture, is extremely powerful and touching. My morning calls were useful, for they procured me three tickets for the next Almack's; and I prevailed upon one of the most rigorous and dreaded of Patronesses to give me a ticket for a little obscure 'Miss of my acquaintance,'--an immense 'faveur!' I was, however, obliged to manoeuvre and entreat a long time to obtain it. The young lady and her party nearly kissed my hands, and behaved as if they had gained the great prize in the lottery. After Almack's, there is no way of approaching an English lady so good as politics. There has been nothing to be heard lately, whether at dinner or at the Opera, nay even at balls, but Canning and Wellington from every pretty mouth; nay, Lord E---- complained that his wife disturbed him with politics at night. She frightened him by suddenly calling out in her sleep, "Will the Premier stand or fall?"