Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
A cheerful ray of sun enticed me forth, but I soon exchanged the clear
air of heaven for subterranean gloom. I went into the famous Tunnel, the
wonderful passage under the Thames. You have read in the papers that the
water broke in some weeks ago, and filled the part that was completed,
five hundred and forty feet in length. Any event, lucky or unlucky, is
sure to give birth to a caricature in a few days. There is one
representing the Tunnel catastrophe, in which a fat man on all-fours,
and looking like a large toad, is trying to save himself, and screaming
'Fire!' with a mouth extended from ear to ear. With the aid of the
diving-bell the hole has been so stopped, that it is asserted there is
no fear of a recurrence of the accident. The water has been pumped out
by a steam-engine of great power, so that one can descend with perfect
safety. It is a gigantic work, practicable nowhere but here, where
people don't know what to do with their money.
From hence I went to Astley's theatre, the Franconi's of London, and
superior to its rival. A horse called Pegasus, with wings attached to
his shoulders, performs wonderful feats; and the drunken Russian
courier, who rides six or eight horses at once, cannot be surpassed for
dexterity and daring. The dramatic part of the exhibition consisted of a
most ludicrous parody of the Freischütz. Instead of the casting of the
bullets, we had Pierrot and Pantaloon making a cake, to which Weber's
music formed a strangely ludicrous accompaniment. The spirits which
appear are all kitchen spirits, and Satan himself a 'chef de cuisine.'
As the closing horror, the ghost of a pair of bellows blows out all the
lights, except one great taper, which continually takes fire again. A
giant fist seizes poor Pierrot; and a cook almost as tall as the
theatre, in red and black devilish costume, covers both with an
'extinguisher' as big as a house.
These absurdities raise a laugh for a moment, it is true; but they
cannot make a melancholy spirit cheerful, and you know I have so many
causes for gloom which I cannot forget * * *
* * * * *
Some evil constellation must now reign over us; for certainly there are
lucky and unlucky tides in man's life, and to know when they set in
would be a great assistance to the steersman. The star which you tell me
burns so brightly over your residence must have a hostile influence. One
star, however, shines benignly upon me, and that is your love. With
that, would my life be extinguished.
Public-domain text, read in full here on John Shaqi.
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