Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
I closed the day with the English Opera. At the end of the first act a
mine falls in and buries the principal persons of the piece alive. In
the last scene of the second act they reappear in the bowels of the
earth, nearly starved indeed, having lain there three days, and utterly
exhausted. This, however, proves no impediment to the prima donna
singing a long Polonaise air, to which there is a chorus with trumpets,
"Ah, we are lost, all hope is gone!" but, oh miracle! the rocks fall
asunder again, and open a wide entrance to the light of day. All
distress, and with it the distressing nonsense of the piece, was at an
end.
_August 2nd._
Yesterday's debauch called my attention to an organ which Mr. Deville
did not include in his list--the organ of 'gourmandise,' which
immediately confines on that of murder, and is in fact, like that, a
species of destructiveness. I find I possess it in a considerable
degree, and I only wish all the bumps and knobs on my skull gave as
innocent and agreeable results. It indicates not the mere vulgar desire
for eating and drinking, but enables its possessor to estimate the
delicate fragrance of wine, or the inventive genius of a cook. It is
inimical to human happiness only when found in conjunction with a
sentimental stomach,--which happily does not appear to be the case with
me.
To-day I saw an exhibition of an entire gallery of pictures embroidered
with the needle, and the work of one person: their excellence is really
surprising. The name of the artist, the most patient of women, is Miss
Linwood. At a little distance the copies are very like the originals,
and the enormous prices she gets for them shows that their merit is
recognized. I heard that one such piece of tapestry, after Carlo Dolce,
sold for three thousand guineas. There was a portrait of Napoleon during
the Consulate, which must have been very like him at that time, and was
regarded by some Frenchmen present with great admiration.
I next went to see the solar microscope, the magnifying power of which
is a million. What it shows is really enough to drive a man of lively
imagination mad. Nothing can be more horrible,--no more frightful
devilish figures could possibly be invented,--than the hideous,
disgusting water animalculæ (invisible to the naked eye, or even to
glasses of inferior power,) which we daily swallow. They looked like
damned souls darting about their filthy pools with the rapidity of
lightning, while every motion and gesture seemed to bespeak deadly hate,
horrid torture, warfare, and death.
I was seized with a sight-seeing fit, and wished to efface the shocking
impressions of that infernal world by something more agreeable. I
visited three panoramas,--Rio Janeiro, Madrid, and Geneva.
Public-domain text, read in full here on John Shaqi.
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