Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
_Dec. 21st._
There are unquestionably three natures in man,--a vegetable one, which
is content merely to exist; an animal, which destroys; and an
intellectual, which creates. Many are satisfied with the first, most lay
claim to the second, and a few to the third. I must confess, alas! that
my life here belongs to Class I., at which I am often discontented
enough: 'but I can't help it.'
You have heard of the English Roscius. A new little wonder of this kind
has appeared, and the maturity of his early talent is really
astonishing. Master Burke (so this little fellow is called) acts at the
Surrey Theatre. Though only ten years old, he played five or six very
different parts, with a humour, apparent familiarity with the stage,
'aplomb,' volubility of utterance, accurate memory, and suppleness and
power over his little person, which are perfectly amazing. What struck
me most, however, was, that in a little interlude he acted his own
natural part,--a boy of ten years old,--with such uncommon truth that
the genuine 'naivété' of childhood he represented, could be nothing but
the inspiration of genius,--it is impossible it could be the result of
reflection in such a child. He began with the part of an Italian
music-master, in which he displayed extraordinary mastery of the violin,
and that not only in acquired dexterity, but in the good taste of his
playing, and a fulness and beauty of tone seldom equalled. You perceived
in his whole performance that he was born a musician. Next followed a
learned pedant; then a rough captain of a ship; and so on;--every part
admirably filled, and the by play, in which so many fail, peculiarly
easy, clever, and appropriate. His last character was Napoleon,--the
only one in which he failed; and this failure was exactly the thing that
put the crown to my admiration. It is characteristic of true genius,
that in the meagre, absurd, and foolish, it appears foolish too; and
this part was the quintessence of bad taste and stupidity. It is the
same in life. Turn Lessing into a courtier for instance, or Napoleon
into R---- Lieutenant, and you will see how miserably each will fill his
part.
Public-domain text, read in full here on John Shaqi.
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