Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince. — John Shaqi
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
In the age of innocence of the English world of fashion, when the
natives as yet were fain to copy continental manners, and had not
attained to that independence which now asserts its claim to serve as
model to other countries, a Dandy governed by means of his coat; and the
celebrated Brummel tyrannized over town and country, by this simple
instrument, during long years of glory. But this is no longer the case:
the sublime Exclusive, on the contrary, affects a certain inattention to
his dress, which is almost always alike; and is quite above running
after or inventing new fashions: his dress is at most distinguished only
for exquisite neatness and delicacy of texture. Far other qualities are
now necessary to constitute a man of fashion. He must, as formerly in
France, have the reputation of a heartless seducer, and be a _dangerous_
man. But as, with all the good-will in the world, it is not so easy for
men of graceless manners and invincible awkwardness to rival the
brilliant charm and captivating address of the Frenchman of the 'Vieille
Cour,' it is necessary, like Tartuffe, to play the soft and insidious
hypocrite; with the subdued voice which is now the fashion, and false
words, to make a way in the dark to unprincipled acts; such as false
play, or the 'gulling' of a novice in every species of sport, in which
so many young Englishmen find despair and suicide, where they sought
recreation and excitement;--where these arts are not applicable, to
seek, by all sorts of intrigue, to destroy the fortune and reputation of
those who stand in their way, or, at the least, to rob them of all
influence in exclusive society.
He who is intimately acquainted with England's dark side, will not
accuse me of exaggeration in this description. * * *
* * * * *
Let a man's moral and intellectual qualities be what they may, if he is
the fashion, he can say or do nothing that will not be received with
admiration and applause. His words are oracles; his wit _must be_
exquisite, since he has received his patent for it from fashionable
society; and where Fashion speaks, the free Englishman is a slave.
Besides, the vulgar feel that in all matters of art, talent or taste,
they are no very competent judges; they therefore think it safer blindly
to applaud a 'bon mot' when they see it has made their superiors laugh;
or to repeat an opinion which has proceeded from privileged lips:--just
as the public were in the third heavens with ecstasy for a whole winter
at a party of Tyrolese ballad-singers, and rained down money, which the
green butcher-family pocketed with a laugh. * * *
* * * * *
The far-famed Almack's, and the unrivalled puissance of the
Lady-Patronesses, I have already described to you. I must add two signal
acts of their power.
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