But first—how to find them? By the sign when there was one; but supposing there was none? In most parts of Germany inns were distinguished solely by the coats of arms which visitors had put up to commemorate their progresses. The best inns could show, inside and out, as many as three hundred or more. For the signs themselves, it may be interesting to know what were the commonest signs and what were the exceptions. Out of a total of three hundred and fifty-eight different inns which these travellers mention by their signs, the "Crown" occurs most frequently (thirty-two times), mainly as a result of "Ecu de France" being so favourite a name in France. "White Horses" and "Golden Lions" seem to have been about as popular then as now; where changes have taken place is rather in connection with ecclesiastical signs. The "Cross" occurs twenty-two times, eleven of which are "White"; the "Three Kings" (fourteen) and the "Red Hat" or its equivalents, the "Cardinal's Hat" or the "Cardinal" (seven), are other examples; but of saints there are no more than twenty-five altogether, including five of "Our Lady." Barbara (three), Magdalen, Christopher, and John are the only other names that are used more than once. Among those who have but one of the three hundred and fifty-eight inns dedicated to him or her, is St. Martha, the patroness of those who stay at inns. The only form that is found coming into fashion is that of "Town of ——" a fashion set, apparently, by Paris during the first quarter of the seventeenth century, to establish a special clientèle: the "Ville de Brissac," there, for instance, catered for Protestants, the "Ville de Hambourg" for Germans. But there existed at many towns inns which specialized in this way under ordinary names. At Lübeck were English inns; at Calais the "Petit St. Jean" was a meeting-place for Scotchmen; and Germans in Italy were directed to the "White Lion" and "Black Eagle" at Venice, the "Two Swords" at Rome, and the "Black Eagle" at Naples. Signs which occur but once and have something picturesque about them are the "Scarlet Siren" ("Serena Ostriata") at Venice, the "Mille Moyens" at Antwerp, the "Good Friend" at Leghorn, the "Fish Cart" of Cologne, the "Bacchus" at Cracow, the "Nereids" at Noyon; Paris had a "Four Winds" and a "Pineapple," Boulogne a "Tin Pot." Neither should "St. François de la Grande Barbe" at Agen be forgotten, if only on account of the host, who never slept there; every night he was taken away to prison for debt, says the Pole Gölnitz. It is curious, too, that in only one case out of so many should a name come up with any reference to the heroes of romance ("Les Quatre Fils d'Aymon"), which suggests that the acquaintance with them was less common among the lower classes than is generally supposed.