Traced and Tracked; Or, Memoirs of a City DetectiveM'Govan, James
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Traced and Tracked; Or, Memoirs of a City Detective
M'Govan, James
Detective and mystery stories; Edinburgh (Scotland) -- Fiction
The friend thus alluded to bobbed to me, and I recognised him also as
a street musician. He was a lame man, and used a crutch and stick to
move about, and his instrument was a tin whistle. Sometimes, I think,
he used two of these whistles tied together, and he affected to be
much more lame and helpless than he really was. His favourite “pitch”
was to squat cross-legged at the edge of the pavement on the Mound
with his crutch and stick ostentatiously displayed before him, and
a tin mug placed on the kerb ready for contributions, and there he
droned out his tunes, generally of a plaintive character, for hours
together, with wonderful taste and skill. He got drunk at times, and
became troublesome, and had to go to jail to cool down.
That was the man who now bobbed to me, and shook his head dolefully
over his friend’s misfortune.
“I came here to show him the way, and introduce him to the great
detective,” Joson volunteered, with a sympathetic snifter and cringe.
“Yes, having been here so often yourself, you were quite qualified
for that task,” I dryly returned, whereat the lame man cringed and
bobbed again, and affected to take the observation as a very good
joke, though his mental remarks, I feel sure, were quite unfit for
publication.
“You say you have lost a bag of money,” I continued to the
organ-grinder, after taking down his name as Peter M^cCarthy. “How
did it happen, and how much money did the bag contain?”
“’Twasn’t lost—’twas stole from me,” cried the organ-grinder, with a
fresh burst of expletives on the head of the robber; “and there was
two hundred and seven golden sovereigns in the bag—two hundred and
seven, sur. ’Twas a heap of money, and it was so pleasant to feel
the gold running through your fingers. But I’m afeared I’ll never
touch it again. And I worked hard for it, sur; if I’d coined every
sovereign of it out of me own blood it couldn’t have been got slower.
Tin years! och, if I lose it, I may creep into me grave.”
“You were foolish to carry such a large sum about with you,” I could
not help observing.
“I didn’t carry it about with me—it had got too heavy for that,”
quickly returned the organ-grinder. “Faith, I only wish I’d never
given up carrying it, and I’d have had it now. No; I had it stowed
away in a hole of the chimney of my house, where no living being
could get at it.”
“And yet it was taken—how do you explain that?”
“I can’t explain it. I only know that it’s gone,” he answered with
a mysterious look, much as if he thought some greedy ghosts had
been at work removing his hidden pile. “My house is a garret in the
Grassmarket. I’ll take you to it, and show you the place whenever you
like. The landlord is a hawker called Jimmy Poulson. He has the other
two rooms; but he can’t get into my place at any time, as I’ve a lock
on the dure, which I had put on myself, which no one can pick.”
At the mention of Jimmy Poulson’s name, Tom Joson, the lame man,
jerked his head to me significantly.
Public-domain text, read in full here on John Shaqi.
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