Traced and Tracked; Or, Memoirs of a City DetectiveM'Govan, James
General
Traced and Tracked; Or, Memoirs of a City Detective
M'Govan, James
Detective and mystery stories; Edinburgh (Scotland) -- Fiction
I therefore hurried over to the hotel, and learned that she and
her husband had gone out about six o’clock, and not yet returned.
I sat down to wait for them, little guessing that I was to remain
there till nearly eleven o’clock, they being at the theatre, as
I afterwards learned. While I was thus waiting at the hotel, Bob
Brettle had taken action in a style characteristic of him and his
passionate nature. He hunted through all the dens till he came
upon Dirty Dick singing songs in a half-gleeful and half-fuddled
condition. Dick remained gleeful not one moment after he saw
Brettle’s face. The house-breaker invited him out to the darkness
of the stair-head, and there brought out a long-bladed clasp-knife,
at the same moment throttling Dick with his left hand, and forcing
him down on his knees. There, with the point of the knife at Dick’s
heart, he dragged out of the quaking wretch a full and abject
confession of the plot, and also of the name of the hotel at which
Pretty Polly and her wealthy husband had put up. When Dick had
finished, Bob simply swung round his powerful left hand, and in a
moment Dick lay groaning on the landing below with a broken leg
and fractured rib. Paying no attention to the injured wretch or his
cries, Brettle ran down the stair and made for the hotel.
A waiter at the portico told him that the Harpers were not in, but
were expected shortly. Brettle stood sentry there at the door or near
it for a full half hour, and at length was rewarded by seeing a cab
drive up, and a gentleman get out and hand forth a sweet-faced and
elegantly dressed lady—the veritable Pretty Polly.
With a bound like that of a tiger Brettle was upon her, and had
her taper wrist clenched in his hand, and her face swung round to
the light of the street lamps with a force that almost crushed the
delicate bones.
“You jewelled serpent!” he hissed, “you would sell me to the
shambles! Look at me, you beautiful devil, and say, if you can, that
it is not true!”
A shriek—appalling enough to reach my ears above, and bring me
rushing down—was Pretty Polly’s only answer.
Her husband, however, laid a hand on Brettle’s shoulder—
“How dare you, sir? Who are you?”
“Her husband!” shouted the infuriated house-breaker; and at the same
moment there was the flash of a knife and an agonising cry from the
wounded woman, and a rush upon the assailant from all sides. I was
among the number, and Brettle recognised me with a quiet nod.
“I’m not going to struggle or bolt,” he quietly observed, as Pretty
Polly was lifted from the pavement and borne insensible into the
hotel, with the blood gushing from a deep wound in her breast. “I’m
satisfied now. I have paid her off. I’ve taken it out of her, and she
was the only woman I ever loved!”
Public-domain text, read in full here on John Shaqi.
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