Tradition, Principally with Reference to Mythology and the Law of NationsArundell of Wardour, John Francis Arundell, Baron
Philosophy
Tradition, Principally with Reference to Mythology and the Law of Nations
Arundell of Wardour, John Francis Arundell, Baron
International law; Macdonell, George, 1780-1870; Mythology; Natural law; Tradition (Theology)
I shall now proceed to show analogies in what will be admitted to
be most unlikely ground--in the King of Dahome's celebrated "So-sin
customs," described by Captain Richard Burton.
Before, however, proceeding further, I must point out the following
features in the ceremonies or customs as common to Grecian and antique
pagan; to the Mandan (Indian of North America), and to the tropical
African.[209] In the first place they are cyclical; they are all of a
mournful character; all are interrupted at intervals by processions,
dances, and songs of a traditional character; they all close in scenes
of rejoicing or rather in Bacchanalian (yet still traditionally
[_vide_ page 247, note Boulanger] Bacchanalian) scenes of riot
and debauchery. The duration of the festivals varies from three and
four to five days; the days have fantastic names, which, although
different, still in their very peculiarity, and also in the drift and
meaning of the names so far as it can be gathered, are suggestive of
a common origin, _e.g_. the first day of the Anthesteria, at Athens
was called "[Greek: Pithoigia, apo tou pithous oigein]," "because
they tapped their casks." The fourth day of the King of Dahome's
customs is named "So (horse) nan-wen (will break) _kan_ (rope) 'gbe
(to-day)."--Burton, ii. 8. One part of the Mandan ceremony is called
"Mee-ne-ro-ka-Ha-sha," or "the _settling down of the waters_," which
name again closely corresponds to the ceremonies at Athens and at
Hierapolis in Syria (_ante_), where water was poured into the opening
where the waters of the Deluge were supposed to have disappeared. The
fifth day of the Dahome customs is named "Minai afunfun khi Uhun-jro
men Dadda Gezo"="we go to the small mat tent under which the king
sits."--Burton, ii. 27. This approximates to the scene described by
Catlin (p. 20) at the close of the bull-dance (fourth day), when "the
master of ceremonies (corresponding to the king at Dahome) cried out
for all the dancers, musicians," and "the representatives of _animals_
and _birds_," "to gather again around him." He is described as coming
out of the mystery lodge and collecting them round "the big canoe."
Public-domain text, read in full here on John Shaqi.
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