Traffic in Souls: A Novel of Crime and Its CureBall, Eustace Hale
General
Traffic in Souls: A Novel of Crime and Its Cure
Ball, Eustace Hale
Crime -- Fiction
"What is it, dear? It must be very interesting," replied Mary, a shade
of uneasiness coming over her. "You are not usually so literary after
the hard work at the store all day."
Lorna laughed.
"It's time I improved my mind, then. A friend gave it to me--it's the
story of a chorus girl who married a rich club man, by Robin Chalmers,
and oh, Mary! It's simply the most exciting thing you ever read. The
stage does give a girl chances that she never gets working in a store,
doesn't it?"
"There are several kinds of chances, Lorna," answered the older girl
slowly. "There are many girls who beautify their own lives by their
success on the stage, but you know, there are a great many more who
find in that life a terrible current to fight against. While they may
make large salaries, as measured against what you and I earn, they must
rehearse sometimes for months without salary at all. If the show is
successful they are in luck for a while, and their pictures are in
every paper. They spend their salary money to buy prettier clothes and
to live in beautiful surroundings, and they gauge their expenditures
upon what they are earning from week to week. But girls I have known
tell me that is the great trouble. For when the play loses its
popularity, or fails, they have accustomed themselves to extravagant
tastes, and they must rehearse for another show, without money coming
in."
"Oh, but a clever girl can pick out a good opportunity."
"No, she can't. She is dependent upon the judgment of the managers,
and if you watch and see that two of every three shows put on right in
New York never last a month out, you'll see that the managers' judgment
is not so very keen. Even the best season of a play hardly lasts
thirty weeks--a little over half a year, and so you must divide a
girl's salary in two to find what she makes in a year's time. You and
I, in the candy store, are making more money than a girl who gets three
times the money a week on the stage, for we have a whole year of work,
and we don't have to go to manicures and modistes and hairdressers two
or three times a week."
"Well, I wish we did!" retorted Lorna petulantly. "There's no romance
in you, Mary. You're just humdrum and old-fashioned and narrow. Think
of the beautiful costumes, and the lights, the music, the applause of
thousands! Oh, it must be wonderful to thrill an audience, and have
hundreds of men worshiping you, and all that, Mary."
Her sister's eyes filled with tears as she turned away.
"Go on with your book, Lorna," she murmured. "Maybe some day you'll
read one which will teach you that old fashions are not so bad, that
there's romance in home and that the true, decent love of one man is a
million times better than the applause, and the flowers, and the
flattery of hundreds. I've read such books."
Public-domain text, read in full here on John Shaqi.
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