Armed Forces -- Fiction; English poetry; Prisoners -- Fiction; Short stories, English
“No! That’s where so many people make the mistake. The Hertzian waves
wouldn’t be strong enough to work a great heavy Morse instrument like
ours. They can only just make that dust cohere, and while it coheres (a
little while for a dot and a longer while for a dash) the current from
this battery—the home battery”—he laid his hand on the thing—“can get
through to the Morse printing-machine to record the dot or dash. Let me
make it clearer. Do you know anything about steam?”
“Very little. But go on.”
“Well, the coherer is like a steam-valve. Any child can open a valve
and start a steamer’s engines, because a turn of the hand lets in the
main steam, doesn’t it? Now, this home battery here ready to print is
the main steam. The coherer is the valve, always ready to be turned on.
The Hertzian wave is the child’s hand that turns it.”
“I see. That’s marvellous.”
“Marvellous, isn’t it? And, remember, we’re only at the beginning.
There’s nothing we sha’n’t be able to do in ten years. I want to
live—my God, how I want to live, and see it develop!” He looked through
the door at Shaynor breathing lightly in his chair. “Poor beast! And he
wants to keep company with Fanny Brand.”
“Fanny _who_?” I said, for the name struck an obscurely familiar chord
in my brain—something connected with a stained handkerchief, and the
word “arterial.”
“Fanny Brand—the girl you kept shop for.” He laughed, “That’s all I
know about her, and for the life of me I can’t see what Shaynor sees in
her, or she in him.”
“_Can’t_ you see what he sees in her?” I insisted.
“Oh, yes, if _that’s_ what you mean. She’s a great, big, fat lump of a
girl, and so on. I suppose that’s why he’s so crazy after her. She
isn’t his sort. Well, it doesn’t matter. My uncle says he’s bound to
die before the year’s out. Your drink’s given him a good sleep, at any
rate.” Young Mr. Cashell could not catch Mr. Shaynor’s face, which was
half turned to the advertisement.
I stoked the stove anew, for the room was growing cold, and lighted
another pastille. Mr. Shaynor in his chair, never moving, looked
through and over me with eyes as wide and lustreless as those of a dead
hare.
“Poole’s late,” said young Mr. Cashell, when I stepped back. “I’ll just
send them a call.”
He pressed a key in the semi-darkness, and with a rending crackle there
leaped between two brass knobs a spark, streams of sparks, and sparks
again.
“Grand, isn’t it? _That’s_ the Power—our unknown Power—kicking and
fighting to be let loose,” said young Mr. Cashell. “There she
goes—kick—kick—kick into space. I never get over the strangeness of it
when I work a sending-machine—waves going into space, you know. T.R. is
our call. Poole ought to answer with L.L.L.”
We waited two, three, five minutes. In that silence, of which the boom
of the tide was an orderly part, I caught the clear “_kiss—kiss—kiss_”
of the halliards on the roof, as they were blown against the
installation-pole.
Public-domain text, read in full here on John Shaqi.
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