Faith and reason -- Christianity; Immortality -- Christianity; Tragic, The -- Religious aspects -- Christianity
That horrible regenerationist literature, almost all of it an imposture,
which the loss of our last American colonies provoked, led us into the
pedantry of extolling persevering and silent effort--and this with great
vociferation, vociferating silence--of extolling prudence, exactitude,
moderation, spiritual fortitude, synteresis, equanimity, the social
virtues, and the chiefest advocates of them were those of us who lacked
them most. Almost all of us Spaniards fell into this ridiculous mode of
literature, some more and some less. And so it befell that that
arch-Spaniard Joaquín Costa, one of the least European spirits we ever
had, invented his famous saying that we must Europeanize Spain, and,
while proclaiming that we must lock up the sepulchre of the Cid with a
sevenfold lock, Cid-like urged us to--conquer Africa! And I myself
uttered the cry, "Down with Don Quixote!" and from this blasphemy, which
meant the very opposite of what it said--such was the fashion of the
hour--sprang my _Vida de Don Quijote y Sancho_ and my cult of Quixotism
as the national religion.
I wrote that book in order to rethink _Don Quixote_ in opposition to the
Cervantists and erudite persons, in order to make a living work of what
was and still is for the majority a dead letter. What does it matter to
me what Cervantes intended or did not intend to put into it and what he
actually did put into it? What is living in it is what I myself discover
in it, whether Cervantes put it there or not, what I myself put into and
under and over it, and what we all put into it. I wanted to hunt down
our philosophy in it.
For the conviction continually grows upon me that our philosophy, the
Spanish philosophy, is liquescent and diffused in our literature, in our
life, in our action, in our mysticism, above all, and not in
philosophical systems. It is concrete. And is there not perhaps as much
philosophy or more in Goethe, for example, as in Hegel? The poetry of
Jorge Manrique, the Romancero, _Don Quijote_, _La Vida es Sueño_, the
_Subida al Monte Carmelo_, imply an intuition of the world and a concept
of life (_Weltanschauung und Lebensansicht_). And it was difficult for
this philosophy of ours to formulate itself in the second half of the
nineteenth century, a period that was aphilosophical, positivist,
technicist, devoted to pure history and the natural sciences, a period
essentially materialist and pessimist.
Our language itself, like every cultured language, contains within
itself an implicit philosophy.
Public-domain text, read in full here on John Shaqi.
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