And Don Quixote does not surrender, because he is not a pessimist, and he fights on. He is not a pessimist, because pessimism is begotten by vanity, it is a matter of fashion, pure intellectual snobbism, and Don Quixote is neither vain nor modern with any sort of modernity (still less is he a modernist), and he does not understand the meaning of the word "snob" unless it be explained to him in old Christian Spanish. Don Quixote is not a pessimist, for since he does not understand what is meant by the _joie de vivre_ he does not understand its opposite. Neither does he understand futurist fooleries. In spite of Clavileño,[68] he has not got as far as the aeroplane, which seems to tend to put not a few fools at a still greater distance from heaven. Don Quixote has not arrived at the age of the tedium of life, a condition that not infrequently takes the form of that topophobia so characteristic of many modern spirits, who pass their lives running at top speed from one place to another, not from any love of the place to which they are going, but from hatred of the place they are leaving behind, and so flying from all places: which is one of the forms of despair. But Don Quixote hears his own laughter, he hears the divine laughter, and since he is not a pessimist, since he believes in life eternal, he has to fight, attacking the modern, scientific, inquisitorial orthodoxy in order to bring in a new and impossible Middle Age, dualistic, contradictory, passionate. Like a new Savonarola, an Italian Quixote of the end of the fifteenth century, he fights against this Modern Age that began with Machiavelli and that will end comically. He fights against the rationalism inherited from the eighteenth century. Peace of mind, reconciliation between reason and faith--this, thanks to the providence of God, is no longer possible. The world must be as Don Quixote wishes it to be, and inns must be castles, and he will fight with it and will, to all appearances, be vanquished, but he will triumph by making himself ridiculous. And he will triumph by laughing at himself and making himself the object of his own laughter. "Reason speaks and feeling bites" said Petrarch; but reason also bites and bites in the inmost heart. And more light does not make more warmth. "Light, light, more light!" they tell us that the dying Goethe cried. No, warmth, warmth, more warmth! for we die of cold and not of darkness. It is not the night kills, but the frost. We must liberate the enchanted princess and destroy the stage of Master Peter.[69] But God! may there not be pedantry too in thinking ourselves the objects of mockery and in making Don Quixotes of ourselves? Kierkegaard said that the regenerate (_Opvakte_) desire that the wicked world should mock at them for the better assurance of their own regeneracy, for the enjoyment of being able to bemoan the wickedness of the world (_Afsluttende uvidenskabelig Efterskrift_, ii., Afsnit ii., cap. 4, sect. 2, b).