A little way ahead a man, hatless, wild-haired, came running out from
his dooryard, having witnessed Morgan's levying on Uncle John's gun and
read his reason for it. This citizen rushed into the road and offered a
large revolver, which Morgan leaned and snatched from his hand as he
galloped by. But it hadn't a cartridge in its chambers, and its caliber
was not of Morgan's ammunition. Still, he rode on with it in his hand,
hoping that it might serve its turn.
Morgan galloped on toward the square, where a great volume of smoke hid
the courthouse and all of the town that lay before the wind. He hoped to
meet somebody there with a gun worth while, although he had no
immediate plan for pitching into the fight and using it. That must be
fixed for him by circumstances when he confronted them.
Women and children stood in the dooryards watching the fire that was
cutting through the thin-walled buildings on that side of the
square--the hotel side--as if they were strawboard boxes. They were
silent in the great climax of fear; they stood as people stand,
straining and waiting, watching the approach of a tornado, no safety in
flight, no refuge at hand. There was but one man in sight, and he was
running like a jack rabbit across the staked ground behind Judge
Thayer's office, heading for the prairie. It was Earl Gray, the
druggist. He was covering sixteen feet at a jump. When he saw Morgan
galloping into the town, Gray stopped, darted off at an angle as if he
were going on some brave and legitimate excursion, and disappeared.
The Elkhorn hotel was well under way of destruction, its roof already
fallen, its thin walls bending inward, perforated in a score of places
by flames. The head of the street was unguarded; Morgan rode on and
halted at the edge of the square.
Smoke blotted out everything in the square, except for a little shifting
by the rising wind which revealed the courthouse, the pigeons in wild
flight around the tower. There was not a man in sight, neither raider
nor defender. Across on the other side of the square, as if they
defended that part from being set on fire, the citizens were doing some
shooting with rifles, even shotguns, as Morgan could define by the
sound. The raiders were there, for they were answering with shot and
yell.
Morgan caught the flutter of a dress at the farther corner of the
bank--a little squat brick building this was--where some woman stood and
watched. He rode around, and at the sound of his approach a gun-barrel
was trained on him, and a familiar fair head appeared, cheek laid
against the rifle stock in a most determined and competent way.
"Dora! don't shoot!" Morgan shouted. In a moment he was on the ground
beside her, and Dora Conboy was handing him his own rifle, pride and
relief in her blue eyes.
"I knew you'd come, I told them you'd come!" she said.
"How did you save it--what are you doing here, Dora?" he asked in
amazement.
Public-domain text, read in full here on John Shaqi.
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