Traitor or patriot? : $b A tale of the Rye-House PlotRowsell, Mary C. (Mary Catherine)
History
Traitor or patriot? : $b A tale of the Rye-House Plot
Rowsell, Mary C. (Mary Catherine)
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Rye House Plot, 1683 -- Fiction
"A fair outside truly," he murmured half aloud to himself as he
carelessly scanned its richly emblazoned velvet and gilt binding, and
then proceeded as carelessly to turn its embossed pages; "and with
such a mighty pretty dedication to my sacred majesty, that my poor
privy-purse will suffer cruelly, I fear. Tho' I'll dare swear that
'tis all as full of emptiness, or at best of fulsome fawning
flatteries, as my fine lords and ladies, who hang upon my skirts, and
care no more for me than this little Médor here," and he gently
caressed the satin soft ears of the little dog who had jumped to its
favourite spot between himself and the downy cushions, "who loves
me--for the cake and comfits I carry in my pocket. Nay, but I do
thee an ill compliment after all, Médor; for though to be sure thou
mightst not be at the pains to stretch out one of thy fringy paws
here to help me in my need, at least thou'dst not turn against me, as
some I wot of would, who have fed upon my bounty. But what have we
here?" continued the king, turning on again at the pages of his book.
"Nay, now, fie, fie, Master Poetaster! but is not your choice of
mottoes here uncourtly, to say the least?
"'For kings and mightiest potentates must die.
For that's the end of human misery.'
"I' faith! and I doubt 'twould trouble you no more than the rest of
the herd, were I to die to-night, so long as your dedication money
were safe to you. All--all alike, every man jack, and woman jill of
you. 'The king is dead,' you'd cry, 'alack! alack!' though I doubt
your breath might not reach to so much as that--'The king is dead--'"
[Sidenote: A startling visitor.]
"God save the king!"
"Who goes there?" cried the king, starting to his feet and flinging
down the book. What voice was this, snatching, as it were from his
lips the very words that were upon them, and in tones so deep and
significant, from the darkest recesses of the dimly lighted chamber?
"Who goes there?" he reiterated, peering hard into the obscurity,
till at last his keen gaze caught the outlines of a figure enveloped
in a black riding cloak.
"A friend," answered the voice in hurried tones.
Charles laughed bitterly. "Our foes in disguise call themselves
that," he said. "Come forward--friend, into the lamplight here."
The intruder needed not to do so much in order to reveal his
identity; for the words had not left the king's lips before a glare
of light lit up the whole apartment, and revealed the face of
Lawrence Lee. An exclamation of anger broke from Charles; and he
darted a look of mingled suspicion and defiance on Lee.
"Ha! I thought as much, Master Talebearer," he cried; "and this is
your vaunted loyalty--this is--"
"Fire! fire! your majesty," and Lee rushed forward with outspread
arms. "Come quick! for God's sake, come! afterwards hang me--kill
me--do as you will. But now--now--the palace is on fire, I say! and
there's not an instant to lose."
[Sidenote: Madness indeed.]
Public-domain text, read in full here on John Shaqi.
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