Traitor or patriot? : $b A tale of the Rye-House PlotRowsell, Mary C. (Mary Catherine)
History
Traitor or patriot? : $b A tale of the Rye-House Plot
Rowsell, Mary C. (Mary Catherine)
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Rye House Plot, 1683 -- Fiction
"H'm--not far from the water stairs. But he knows my address. So
come, Master Landlord, have with you, and find me a fresh horse. And
pray be quick about it, for if I would sleep at home to-night, I must
be brisk. I cry your pardon, Mistress Sheppard. You were about to
speak?" he added in courteous tones, as he perceived his hostess
smoothing her apron, and her lips opening and shutting, and opening
again.
[Sidenote: A fair visitor.]
"So please you, there is one," answered Mistress Sheppard. "Nay,
names matter little. One who earnestly desires an audience--a word
with you, before you go. A young girl--"
"Let her come in," said Charles with animation.
CHAPTER XXXI.
RUMSEY MEETS HIS MATCH.
"Mistress, your servant," said the king, his voice dropping to a
gentle gravity, as the door opened, and disclosed the gray-clad
figure of Ruth Rumbold. "What can we do for you?" he added, striving
to conceal the curiosity he could not but feel at sight of the pale
face, and the sad wearied look of the beautiful downcast eyes. "Or
do you perhaps bring me the reckoning?" he went on, as, encouraged by
his kindly tones, she tendered him a large folded paper which she
carried in her hand, making a profound curtsey as she did so, at the
same time lifting her eyes to his friendly gaze, so that he could
read in them of the heart too full for words.
"Ods-fish, it must be something of a heavy one!" he added laughingly,
as he turned the paper about, examining its seal; "but it bears no
superscription, Mistress--Mistress--are you not Mistress Ruth
Rumbold?" She curtseyed again, "It bears no superscription?" he
reiterated, and hesitating to break open the seal.
"It is meant for your--your--"
"Worship," prompted Mistress Sheppard.
"Your worship's reading," said Ruth.
Then without more ado, Charles opened the paper.
"Why, what have we here?" he said, glancing over its contents with
awakened curiosity. "'Tis made out in two hands! '_I, Thomas_'--who
is it? '_Thomas Good_'--I' faith! 'tis less like handwriting, than
as if a spider had dipped his legs in ink, and then danced a coranto
on this fair white paper meadow. Pray had the gentleman his wits
when he indited this?"
"Indeed, indeed," cried Ruth, "he had, but not his strength--your
worship. He was dying."
"Oh, I crave your pardon," said the king, growing grave again, and
dropping his gaze from Ruth's troubled face, to the paper; "'_being
now at the point of death_.' Ay, ay, I see now, I should have read
further, '_by the hand of the man Richard_'--what's that noise?" he
went on, breaking off in his deciphering endeavours, as a distant
chorus of yells and shouts and hideous cat-calls suddenly broke upon
the drowsy afternoon silence. "Your neighbourhood," he added with an
amused smile, as he turned to continue his task, "would appear to be
less peaceful than it looks. '_The man Richard_--'"
[Sidenote: The strange guest speaks.]
Public-domain text, read in full here on John Shaqi.
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