Traitor or patriot? : $b A tale of the Rye-House PlotRowsell, Mary C. (Mary Catherine)
History
Traitor or patriot? : $b A tale of the Rye-House Plot
Rowsell, Mary C. (Mary Catherine)
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Rye House Plot, 1683 -- Fiction
How was it that this middle-aged, olive-complexioned Portuguese lady,
whose mouth would have been prettier had not her teeth projected
somewhat too far, and whose chief beauty lay in her magnificent dark
eyes, though indeed her small figure was slender and graceful
enough--brought comely English Ruth Rumbold to his mind? Only so it
did. Could it be some association which similarity of dress brings?
True enough, Ruth's holiday gown and petticoat were but of tiffany,
and her cobweb cambric neckerchief only hem-stitched neat as needle
could do it; whereas the queen's petticoat was of finest silver gray
taffety, bordered like its tawny brown brocade overskirt, with
pinkish silken embroidery, and the broad fine linen collar covering
her shoulders, and reaching close round her slender neck, was edged
with magnificent Spanish lace. For the rest, Lawrence with his
masculine ignorance of women's fallals could not have enlightened you
at all; but had he presumed to ask the surrounding court ladies, they
would have uttered little scornful shrieks, screwed up their red
lips--rosy as salve could make them--tossed back their glossy
straying ringlets, and told him that the queen was a starched old
frump, who stuck to the odiously dowdy fashions of thirty years ago
and more, when melancholy Charles the First was king. Yet perhaps
after all, it was not the modest style of her dress, but something in
the womanly sweet composure of her speech and bearing, that crowns
all women, old and young, plain and beautiful, with a grace of its
own; that reminded Lawrence Lee of his little love, won his
allegiance to the king's wife, and sealed his determination to save
the king, or die in the attempt; let this butterfly swarm sneer and
simper as they pleased, and half draw their rapiers, as they were
beginning to do, muttering: "Insolence," and "Upstart," and the rest
of it; while the ladies giggled hysterically, and cried, "Malapert,"
and the usher continued to stammer on in dire confusion:--"You
see--that is, your Majesty will compre--that is, of course
apprehend--that is to say--ahem--understand that here is some plot--"
[Sidenote: "A plot! A plot!"]
"Ay, ay. Quite so," eagerly interrupted Lawrence, and casting
grateful looks at the usher. "That is it--a plot. A vile, infamous
plot--"
"Sirrah!" frowned the usher. "A plot between this fellow Flippet
here," he went on, again addressing the queen. "Your Majesty knows
him well,"--and he pointed his wand at the now trembling nurse of
Azor and Médor, "and this stranger here, to thrust themselves into
the presence of his Majesty."
"Wherefore?" demanded the queen; and the inquiry was caught up and
echoed on every side.
"Heaven knows," groaned the usher, turning up his eyes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account