Deacon Grizzle, therefore, partly from conscience and partly
from spite, placed himself at the head of the innovators, and
took every occasion to annoy his associate with all sorts of
ingenious reasons why the singing should be performed without
any intermixture of recitation. The younger part of the
congregation were chiefly ranged under his banner, but the older
people mustered strong on the opposite side. To hear the
disputes that were carried on upon this point, and the
pertinacity with which each one maintained his opinion, an
uninformed spectator would have imagined the interests of the
whole Christian world were at stake. In truth, a great many of
the good old souls really looked upon the act of altering the
mode of singing as a departure from the faith given unto the
saints. It was a very nice and difficult thing to come to a
conclusion where all parties were so hotly interested, but an
incident which fell out not long afterward, contributed to
hasten the revolution.
Deacon Dogskin, as I have already remarked, was the individual
on whom devolved, by prescriptive right, the duty of giving out
the psalm. The Deacon was in all things a stickler for ancient
usages; not only was he against giving up a hair’s breadth of
the old custom, but his attachment to the antique forms went so
far as to embrace all the circumstances of immaterial moment
connected with them. His predilection for the old tone of voice
was not to be overcome by any entreaty, and we continued to hear
the same nasal, snuffling drawl, which, nobody knows how, he had
contracted in the early part of his deaconship, although on
common occasions he could speak well enough. But the tone was a
part of his vocation; long use had consecrated it, and the
Deacon would have his way. His psalm-book, too, by constant use
had become to such a degree thumbed and blurred and torn and
worn, that it was a puzzle how, with his old eyes, he could make
anything of one half the pages. However, a new psalm-book was a
thing he would never hear spoken of, for, although the thing
could not be styled an innovation, inasmuch as it contained
precisely the same collocation of words and syllables, yet it
was the removal of an old familiar object from his sight, and
his faith seemed to be bound up in the greasy covers and dingy
leaves of the volume. So the Deacon stuck to his old psalm-book,
and, by the help of his memory where the letter-press failed
him, he made a shift to keep up with the singers, who, to tell
the truth, were not remarkable for the briskness of their notes,
and dealt more in semibreves than in demi-semi-quavers.
Public-domain text, read in full here on John Shaqi.
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