Tramping With a Poet in the RockiesLindsay, Vachel
General
Tramping With a Poet in the Rockies
Lindsay, Vachel
Lindsay, Vachel, 1879-1931; Rocky Mountains -- Description and travel; West (U.S.) -- Description and travel
The Temple proved to be the last word in luxury and modern convenience.
In the most elegant club in London, Paris, or New York I have not seen
such luxury and sensual comfort as was in this Temple in the rough
wild west. Every room was inlaid with precious woods. The baths and
robing-rooms were worthy of a Sultan, the lounge and one-piece carpets
all suggested a material heaven. The guide showed us the vast font
reposing on the life-size figures of twelve oxen, the symbols of the
twelve tribes of Israel. This font was the centre of a stately chamber
with galleries running round it. From the galleries the friends of the
candidates could watch the ceremony of immersion. The font was large
enough to baptize families at once.
“And you can be baptized many times,” said the guide. “For yourself,
then for your friends, and then for the dead--for any one you would
like to have saved.”
“Baptized for the dead?” said one of the women in horror. “Yes,” said
he. “You think it strange, but the early Christians all used to do it.
Just turn up First Corinthians, chapter fifteen. ‘What shall they do
which are baptized for the dead, if the dead rise not at all? Why are
they then baptized for the dead?’ which shows plainly that the apostles
recommended it.”
“Is the water cold?” asked a farm-girl, timorously.
“Cold,” said the guide ingratiatingly, “oh, no! It’s warmed. It’s just
_nice_. I should say about the temperature of warm milk.”
“Oh!” “Oh!” There was chorus of approval from the women, who had been
considering the whole matter from a purely personal point of view.
We were then led to the Creation Room, the Garden of Eden Room, and the
Earth-natural Room, all adorned with works of art. There were pictures
of the world before Creation, and then of each stage in the process of
Creation.
“God don’t love chaos. ’E’s a great organiser. ’E organised it, and
’e divided the water from the hearth and gave us light and made the
hanimal creation--yes, all that lives and breeves,” said the guide.
“’Ere we meet to meditate on the Creation. Isn’t it a beutiful room?”
Some one asked him if the artists were Mormons. “Yes, all of them,”
said he, and then went on--
“You’d think it gets stuffy in ’ere. But no; we ’as the hair taken out
and washed and then returned. It’s a new device for washing the hair.”
We passed to Eden. Here were pictures of the whole animal creation in
benevolent and sentimental happiness; the tiger browsing beside the
lamb, and the lion and the giddy goat frisking around.
Public-domain text, read in full here on John Shaqi.
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