Women very often make the keenest street-beggars. They are more original in posing and dressing, and if with their other talents they can also use their voices cleverly, they do very well. Speaking of posing reminds me of a woman who is usually to be found near the Alhambra music-hall in London. She dresses very quietly and neatly, and her entire manner is that of a lady. I believe that she really was one in her day, but liquor has made her a match-vender; and her clever pose and dress are so attractive that people give her three times the value of the matches which she sells them. This match-selling is the main trick of the London street-beggar. It is a trick of defense against the police, and at the same time a blind to the public. People think that men and women selling matches are trying to earn an honest living, and this is true sometimes; but, according to my observation, the majority of match-venders offer one hand to the public for alms, and carry their "lights" (matches) in the other. The business of the house-beggar is obviously to know a certain number of good houses in his district, just as the street-beggar knows a certain number of people in his street or streets. And if he is a mendicant who can deal with women more successfully than with men, he must know just when to visit houses in order that only the women may be at home. If he is a beggar of this style, he usually carries a "jigger"--an artificially made sore, placed usually on an arm or leg. He calls at the front door and asks for "the lady." When she appears he "sizes her up" as best he can, and decides whether it will pay to use his jigger. If it is necessary, he prefaces this disgusting scene by an account of his hardships, and claims that he has been very badly burned. Then he shows his miserable sore, and few women are callous enough to see it without flinching. If they "squeal," as the tramp says, he is sure to be rewarded.