As for stealing, few town beggars ever go into that as a business. Of course, they will take things that do not belong to them if they are sure of not being caught, but this safety is so vain a hope that it is seldom "banked on." It is strange that the city tramp is not more of a thief, for probably no one knows more about the town's chances than he. Criminals are always anxious to have some acquaintance in his ranks, knowing only too well that the "town vag" can post them as no one else can. Another thing rather more unpopular among town tramps than is usually supposed is joining a clique. In New York city, for example, there are various gangs of toughs who prowl about the town committing all sorts of depredations and making themselves generally feared. Even the policemen are now and then held at bay by them, and woe to the drunken sailor with his wages in his pockets who falls into their hands. I have seldom found the city tramp in such company. He knows too well the dangers of such crowds, prefers what he calls the "cut-throat principle," or each man for himself. There is too much slavery for him among toughs of the gang order, and he cannot move around as freely as he likes. Then, too, gangs are every now and then fighting one another, and that is usually harder work than the beggar cares for. * * * * * One of the most interesting things in the study of tramps is to get at their own opinions of themselves. To a certain degree they may be called rational beings. There is opinion and method and reason in trampdom,--no doubt of it,--and there are shades of opinion that correspond to varieties of method. The tramp of the prairies, the "fawny man" in New England, the city tramp in the Bowery, each has his point of view. If one catechizes or interviews the last named of these, he says: "I'm a beggar, and I know it. I know, too, that most people look upon me as a bad sort of fellow. They want to catch and punish me, and I don't want them to do it. They are warring against me, and I'm warring against them. They think that I don't know how I should use my life, and I think that I do. Somebody must be mistaken; I think that they are, and I'm doing my best to beat them. If they beat me, well and good; and if I beat them, well and good." This is the talk of the real artist in low life; he is in the vagabond world because it pleases him better than any other. A little different is the point of view of the drunkard beggar: "I'm a fool, and I know it. No man with any sense and honor would live as I do. But the worst of it all is, I can't live otherwise. Liquor won't leave me alone, and as I've got to live somehow, why, I might as well live where I can take care of myself. If people are fools enough to let me swindle them, so much the worse for them and so much the better for me."