Travels and discoveries in North and Central Africa : $b Including accounts of Tripoli, the Sahara, the remarkable kingdom of Bornu, and the countries around Lake ChadBarth, Heinrich
History
Travels and discoveries in North and Central Africa : $b Including accounts of Tripoli, the Sahara, the remarkable kingdom of Bornu, and the countries around Lake Chad
Barth, Heinrich
Africa, Central -- Description and travel; Africa, North -- Description and travel
The spot where we had pitched our tents afforded a very favourable
locality for commemorating any interesting events, and the sandstone
blocks which studded it were covered with drawings representing various
subjects, more or less in a state of preservation. With no pretensions to
be regarded as finished sculptures, they are made with a firm and steady
hand, well accustomed to such work, and, being cut to a great depth, bore
a totally different character from what is generally met with in these
tracts. The most interesting sculpture represented the following subject,
the description of which I am unfortunately able at present to accompany
with only an imperfect woodcut.
The sculpture represents a group of three individuals of the following
character and arrangement:—
[Illustration]
To the left is seen a tall human figure, with the head of a peculiar
kind of bull, with long horns turned forward and broken at the point;
instead of the right arm, he has a peculiar organ terminating like an
oar, while in the left hand he carries an arrow and a bow—at least such
is the appearance, though it might be mistaken for a shield; between
his legs a long tail is seen hanging down from his slender body. The
posture of this figure is bent forward, and all its movements are well
represented. Opposite to this curious individual is another one of not
less remarkable character, but of smaller proportions, entirely human
as far up as the shoulders, while the head is that of an animal which
reminds us of the Egyptian ibis, without being identical with it. The
small pointed head is furnished with three ears, or with a pair of ears
and some other excrescence, and beyond with a sort of hood (which, more
than any other particular, recalls the idea of Egyptian art), but it is
not furrowed; over the fore part of the head is a round line representing
some ornament, or perhaps the basilisk. This figure likewise has a bow in
its right hand, but, as it would seem, no arrow, while the left hand is
turned away from the body.
Between these two half-human figures, which are in a hostile attitude, is
a bullock, small in proportion to the adjacent lineaments of the human
figure, but chiselled with the same care and the same skilful hand, with
the only exception that the feet are omitted, the legs terminating in
points, a defect which I shall have occasion to notice also in another
sculpture. There is another peculiarity about this figure, the upper
part of the bull, by some accident, having been hollowed out, while in
general all the inner part between the deeply chiselled outlines of these
sculptures is left in high relief. The animal is turned with its back
towards the figure on the right, whose bow it seems about to break. The
block on which it was sculptured was about four feet in breadth, and
three in height. It was lying loose on the top of the cliff.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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