It is a pity that we know so little of the domestic history of these countries during the period of the Arab dynasties, though a step in advance has been made by the complete publication of Ebn Khaldún’s history; else we should regard with more interest these relics of their days of petty independence. This castle, as well as another, the description of which I shall subjoin here, though it was visited some days later, is called after a man named Khafáji ʿAámer, who is said to have been a powerful chief of great authority in Tunis no less than in Tarábolus (Tripoli).[37] [Illustration] The other ruin, related to this one as well by name as by the style of its workmanship—but in many respects more interesting, having been evidently once a place of Christian worship—stands on a narrow and detached neck of rock in the Shʿabet Um el Kharáb, and, from its whole plan, appears to have been originally and principally a church about forty-three feet square, sufficiently large for a small congregation, and with more art and comfort than one can easily suppose a Christian community in these quarters ever to have possessed. Hence greater interest attaches to this building than it would otherwise deserve. It closes with a plain apsis, in which there are two openings or doorways leading into an open room stretching behind it and the side-naves, and is divided into three naves, the middle one of which is eight paces, and the lateral ones six and a half, wide. The naves are divided from one another by columns with differently-ornamented capitals supporting arches, all in the so-called round style of architecture. I made purposely a sketch of two different capitals, in order to show their designs; and I think they are very characteristic. But it is curious to observe that the walls also appear to have been originally painted on stucco, though at present but a small piece of it remains near the corner; hence I conclude that the date of the painting was later than that of the erection of the church. [Illustration] [Illustration]