Brazil -- Description and travel; Slavery -- Brazil
Julio, he and I should have missed it. We were delayed considerably
in giving water enough to all the horses, as we had no large vessel
in which to take it up. I heard from Feliciano, and subsequently from
other persons, that these clefts in the rocks are common; but that they
are known to few, and those principally of his rank and occupation in
life, and that this knowledge enabled them to find plenty of water
when others were in great distress. He said, “we never refuse to give
information, but we say as little about it as possible.” I travelled
until ten o’clock at night, wishing to reach some _fazenda_, and not
to remain in the open air, as there were several heavy clouds flying
about, from the look of which we well knew that if the wind abated,
rain would come on. We reached a _fazenda_, and applied for a night’s
lodging, which was granted; but upon a survey of the interior of the
house, I preferred the open air with all its disadvantages. The place
was full of persons who had assembled from the neighbouring estates, in
expectation of rain, as they had come to assist in collecting cattle.
The fellows were eating dried meat, and had by some means obtained a
quantity of rum. I took up my station at a distance from the house,
and we scarcely laid down during the night, from the fear of rain, and
in some measure that we might be prepared to prevent any of our horses
being stolen, as a piece of sport, by the people in the house.
The next day we crossed over a plain which was partly without trees and
in part covered with brushwood; in going over this last portion I had
pushed on with Julio, leaving the _comboio_ to follow us. We had nearly
lost our way at the division of several paths; even Julio’s knowledge
was insufficient, and had we not met some travellers and enquired of
them, I know not how far from the baggage we might have been at night.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account