Brazil -- Description and travel; Slavery -- Brazil
Twelve men and boys, who are dancers and singers, stand on the stage,
six of them being on each side of it; and the leader of the chorus sits
at the back of the stage with a guitar, with which he keeps the time,
and this person is sometimes assisted by a second guitar player. A ship
is made for the occasion; and when the performers stepped on to the
platform, the vessel appeared at a distance under full sail, coming
towards us upon wheels, which were concealed. As soon as the ship
arrived near to the stage it stopped, and the performance commenced.
The men and boys who were to sing and to dance, were dressed in white
jackets and trowsers; they had ribbons tied round their ankles and
arms, and upon their heads they wore long paper caps, painted of
various colours. The guitar player commenced with one of the favourite
airs of the country, and the chorus followed him, dancing at the
same time. The number of voices being considerable, and the evening
extremely calm, the open air was rather advantageous than the contrary.
The scene was striking, for the bon-fires threw sufficient light to
allow of our seeing the persons of the performers distinctly; but all
beyond was dark, and they seemed to be inclosed by a spacious dome; the
crowd of persons who were near to the stage was great, and as the fires
were stirred and the flame became brighter, more persons were seen
beyond on every side; and at intervals the horses which were standing
still farther off, waiting for their masters.
When the chorus retired, the captain and other superior officers came
forwards, and a long and serious conversation ensued upon the state of
the ship and the weather. These actors were dressed in old uniforms
of the irregular troops of the country. They were succeeded by the
boatswain and the two clowns; the former gave his orders, to which the
two latter made so many objections that the officer was provoked to
strike one of them, and much coarse wit passed between the three. Soon
afterwards came the chaplain in his gown, and his breviary in his hand;
and he was as much the butt of the clowns, as they were of the rest of
the performers. The most scurrilous language was used by them to him;
he was abused, and was taxed with almost every irregularity possible.
The jokes became at last so very indecent, as to make the vicar order
his doors to be shut. The dancers came on at each change of scene, if
I may so say. I went home soon after the vicar’s doors were closed,
and did not see the conclusion; but the matter ended by throwing the
devil overboard, and reaching the port in safety. The performers do
not expect payment, but rather consider themselves complimented in
being sent for. They were tradesmen of several descriptions residing
at Pasmado, and they attend on these occasions to act the _fandangos_,
if requested so to do; but if not, many of them would most probably
go to enjoy any other sport which the festival might afford. We paid
Public-domain text, read in full here on John Shaqi.
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